THE SHORE

A summer at the shore turns real for a family experiencing loss and love at the same time.

Margot and Brian Dunne, who’ve been married forever and are the parents of teenagers Liz and Evy, run a chain of rental houses in Seaside, on the Jersey shore. Former teachers, the couple worked their way up from modest circumstances and lead a life many would consider ideal. Brian’s tortuous descent into anger and oblivion—the agonizing results of a growing brain tumor—marks the course of an emotionally tumultuous summer for the family. Margot shoulders the burden of operating the family business with help from Liz and Evy, who are also continuing their own work: passing from adolescence to adulthood (with the attendant insecurity and heartache that process brings). While maintaining a united front to the outside world, the three women deal with familial misunderstandings and secrets, all now freighted with added urgency in light of Brian’s decline. Margot shares her fears and plans on an online forum, unaware that her internet-savvy girls are, maybe, one step ahead of her there. Liz and Evy don’t know what they don’t know about their parents’ relationship over the years despite internet and household sleuthing. Runde’s sympathetic portrait of a family in crisis is not without humor and insight: The brigade of well-meaning friends and neighbors who support the family with a never-ending supply of IDCs (Inevitable Death Casseroles) is just one finely drawn target here. An epigraph from Springsteen’s “Born to Run” places Runde’s account of abandonment, loneliness, and recovery firmly on the Jersey shore and among its yearning populace.

Runde’s family story is sweet, sad, and surprising.