OPEN HOUSE

Part murder mystery, part interpersonal drama, a serviceable whodunit (or did anyone?) with a host of compelling characters.

Waverly, New York, seems idyllic—but secrets, half-truths, and distrust run right beneath the surface of this pastoral college town. Ten years ago, art student Emma McCullough disappeared from a party and was never seen again, alive or dead. Her disappearance is widely believed to be the result of suicide; nevertheless, her family, and in particular her sister—medical student Haley—clings to the idea that there was foul play involved. When Emma’s bracelet is discovered in the cliffs behind campus, and later when Haley’s realtor—and Emma’s college bff—Josie Carmichael is attacked at an open house, the thin bandages covering a multitude of lies start to peel away. The narration cycles among the perspectives of Haley, who takes on her trauma with a mix of logic and compulsive rituals; Emma’s former art professor Priya, who deals with her troubled marriage with medication prescribed by her husband; and, most grippingly, the Emma of 10 years earlier, who navigates depression, sex, and uncomfortable relationships. All the while we are sent down paths of red herrings and false evidence as we bounce from one prospective adversary to the next. The plot is often driven by characters making decisions that dip into the less-than-believable (do people really send incriminating emails from accounts with their full names?), and Sise’s attempts at broaching her characters’ interiority can be awkwardly clichéd (“Haven’t you ever been with a bunch of people, and you still feel really lonely?”). But while it may lack the psychological intrigue of others of its genre, this novel has just enough twists to keep its readers along for the ride.

Sleuths will delight in piecing together clues and untangling lies alongside the protagonists.