MURAL ISLAND

A young artist’s joy expresses itself in drawings—everywhere.

Kengi, who uses they/them pronouns, is in trouble. They draw everywhere—on the food in the refrigerator, on toilet paper, on the bathroom mirror, and even on people. They draw rainbows and cars, fish, and fruit. Others are constantly cleaning up what they see as Kengi’s mess. Kengi’s fed-up principal demands that the child “stop drawing like this…or else.” Fortunately for Kengi, art teacher Ms. Beatriz points them toward Mural Island, a haven for artists. There, Kengi paints with abandon, making “their most breathtaking masterpiece ever,” a joyous scene of happy, engaged children surrounded by balloons, flying creatures, and rainbows aplenty. Alas, Kengi returns to Mural Island the next day, only to find their art has disappeared again—others have painted over their work. A friend wisely says, “None of it lasts too long so we just love it while it’s here.” The promise of artistic collaboration that day inspires Kengi to paint another bonanza of uplifting scenes. Yamasaki, herself a well-established muralist, relies on cheery colors and undulating patterns to depict the artistic passion pouring out of Kengi—a rainbow palette that covers not only furniture and walls, but also characters’ skin and hair and whole city blocks seen from a bird’s-eye view. Most characters present Black.

Exultant.