Tender, affirming, and relevant for all families and communities.
Hands are for touching, connecting, and loving—even from far away.
A brown-skinned child with dark hair lives in a big apartment building in a busy city. There’s a big bright yellow painted handprint set against a heart on one otherwise plain wall of the building. Racially diverse neighbors stop by; pressing their hands against the print, they reconnect with faraway or deceased loved ones as the wall transforms into a poignant remembered scene. Ms. Iris, who presents Asian, recalls cooking with her family back in her home country. Young Savannah, cued Latine, remembers assembling a puzzle with her late abuela, while Amani and Eli are reminded of their father, a migrant worker who went south recently. Yamasaki’s spare, expressive text pairs beautifully with lush, vivid scenes full of tiny, discoverable details. Images of people flying off in paper airplanes or walking across a rainbow bridge represent ways to connect with those who aren’t present. The protagonist, it turns out, has a story, too, one that inspired the creation of this magical handprint in the hopes a loved one will come home soon. In an author’s note, Yamasaki describes how her experiences making art with incarcerated women living in Mexico and the United States inspired this story; she includes a list of organizations that help families affected by incarceration. (This book was reviewed digitally.)
Tender, affirming, and relevant for all families and communities. (Picture book. 4-7)Pub Date: Oct. 10, 2023
ISBN: 9781324017035
Page Count: 32
Publisher: Norton Young Readers
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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