A page-turner that also speaks to broader questions of sexual abuse, family loyalty, and the mutability of memory.
In Schumann’s debut, a woman unravels the truth behind the traumatic rape case that shattered her family almost 10 years earlier.
Each summer for years the Gregory family returned to their cabin at Eagle Lake, an idyllic summer resort town full of swimming and square-dancing; the kind of place where time moves in slow motion. But when Katie Gregory is 15, her father is accused of raping her best friend, Lulu Henderson, at their summer cabin and is then convicted and sent to prison, poisoning Katie’s memories of Eagle Lake and upending her young adulthood, though she's convinced of his innocence. Now Katie is 24 and living a relatively normal life in Manhattan—a well-paid consulting job, a committed boyfriend—but everything shifts as her father’s release date approaches. Reporters hound her; she struggles to keep the secret hidden from her boyfriend and colleagues. And when Katie's father asks her to prepare their Eagle Lake cabin for his return, she discovers stowed-away letters about the trial that provoke questions about her father’s innocence. As she pores over the court transcript and reconnects with the author of those letters—Jack Benson, a love interest from that summer who, unbeknownst to Katie, had testified at the trial—she dives deep into the vivid, multilayered memories of that summer to examine her friendship with Lulu and discern the truth. Eventually, she must come face to face with her father to hear his version of that summer’s events for the first time and possibly revise the way she views the foundations of her own life. Schumann’s is a carefully-constructed novel that skillfully weaves past and present, slowly planting clues that help unlock the narrative’s central mystery while ratcheting up tension. Though the prose is often plain, the fast-moving plot and compelling, layered characters make for an addictive and incredibly timely read.
A page-turner that also speaks to broader questions of sexual abuse, family loyalty, and the mutability of memory.Pub Date: Feb. 1, 2019
ISBN: 978-1-5420-4003-7
Page Count: 362
Publisher: Lake Union Publishing
Review Posted Online: Nov. 12, 2018
Kirkus Reviews Issue: Dec. 1, 2018
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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