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WREN

Name: WREN
Author: Katrina Lehman
ISBN: 978-1-950354-66-5

by Katrina Lehman ; illustrated by Sophie Beer ‧ RELEASE DATE: May 4, 2021

Sensory overload is no match for the lure of tranquility—until it is, in this effortlessly charming tale.

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A cacophony of chaotic sound brings a new brother and sister together.

Wren can’t catch a break. Life in his household has been noisy to begin with, what with his four other siblings, mom, and dad (the whole family presents White) always making a ruckus. But not even their racket can compete with Wren’s new baby sister. She’s “louder than a train and wail[s] for longer than a fire engine.” Worse, nothing seems to quiet her down! Fed up, Wren moves in with his grandparents in the countryside. There, life is quiet and calm, but all too soon Wren starts missing home. And when he returns, he finds that perhaps he has more in common with his sister than anyone ever realized. An emphatic palette of oranges, blues, and yellows brings Wren’s plight to anarchic life. In fact, Wren’s craving for calm paints the oasis at his grandparents’ house as so pleasant that children may have a hard time believing anyone would ever want to leave. Yet the heart of the story lies in its sibling love. Wren’s eventual relationship with his new baby sister will be a welcome addition to the ranks of such new-baby standouts as One Special Day, by Lola M. Schaefer and illustrated by Jessica Meserve (2012).

Sensory overload is no match for the lure of tranquility—until it is, in this effortlessly charming tale. (Picture book. 3-6)

Pub Date: May 4, 2021

ISBN: 978-1-950354-66-5

Page Count: 32

Publisher: Scribble

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

Categories:

CHILDREN'S FAMILY

- BOOK REVIEW
IZZY AND FRANK
by Katrina Lehman ; illustrated by Sophie Beer

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THERE'S A ROCK CONCERT IN MY BEDROOM

by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022

Nice enough but not worth repeat reads.

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Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

Categories:

CHILDREN'S FAMILY | CHILDREN'S ENTERTAINMENT & SPORTS

- BOOK REVIEW
THERE'S A BEACH IN MY BEDROOM
by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson

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YOUR BABY'S FIRST WORD WILL BE DADA

by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: June 9, 2015

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

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A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)