Swans abound and good defeats evil in a simplified retelling.
A look-and-listen (albeit briefly) adaptation of a favorite ballet story.
A diverse cast of dancers fills the pages of this very basic retelling of a Russian classic of the ballet repertoire. The spread-spanning illustrations are busily filled with lakeside swans sporting fancy, feathery costumes along with many trees, deer, foxes, and rabbits. The palace is pink and glittery and replete with chandeliers, curtains, and fancily costumed guests. There, Odile, malevolent-looking daughter of the evil sorcerer Rothbart, dances with Prince Siegfried and tricks him into believing that she is the lovely Odette, the enchanted swan, who looks bereft. The audience-pleasing national dances of Act 3 are not mentioned in the text nor depicted in the illustrations. Stagings of Swan Lake have always had various endings, some happy and some not so, as Prince Siegfried and his beloved Odette are united only in the afterlife. This version has them living happily ever after on Earth. The gimmick of this title is the 10 brief (10 seconds or so) sound clips that barely hint at the very beautiful score. Adults taking children to a performance may find this useful as an introduction, but listening to a suite of the music would be a better idea. The refreshingly inclusive casting—Siegfried, Odette, and Odile have brown skin, and there are many courtiers of color—does not mitigate the book’s flaws.
Swans abound and good defeats evil in a simplified retelling. (author’s note, glossary) (Picture book/novelty. 4-7)Pub Date: Oct. 1, 2019
ISBN: 978-0-7112-4150-3
Page Count: 24
Publisher: Frances Lincoln
Review Posted Online: Sept. 23, 2019
Kirkus Reviews Issue: Oct. 15, 2019
A heartwarming testament to music’s emotional power.
Music moves a nonverbal child to speak.
The narrator explains that Ronan was “born quiet. Some days he hardly says a word.” Today, when Father and Mother suggest outings to the beach or park, he’s quiet. But he looks up when Grandfather bursts in and proposes attending a concert. With refreshing optimism, Grandfather proclaims it “an adventure,” though Ronan’s parents worry about the “challenge” and “risk” of taking him to a performance. And when Ronan, his dog, and Grandfather reach Symphony Hall, an adventure it is. When the music starts, Ronan is swept away in a whirl of notes. Collectively, the instruments sound like “a sky full of stars,” sending him and his cheerful pup into a space-themed reverie. Boss notes that “the darker instruments sound cool and frightening” and the lighter ones sound “warm and friendly” but does not name the instruments, a missed opportunity to deepen readers’ understanding of the music enthralling Ronan. Audience and orchestra members alike are moved to laughter and applause when the music stops, and an awed Ronan utters his first “WOW!” Kheiriyeh’s endearing, pastel-hued cartoon illustrations convey Ronan’s astonishment and joy. Though an author’s note explains that the story is based on an actual nonverbal child’s experience of a Mozart piece in 2019, details such as Mother’s pearls and housedress and Grandfather’s finned car evoke a bucolic 1950s setting. Ronan and his family present white; background characters are racially diverse.
A heartwarming testament to music’s emotional power. (Picture book. 4-6)Pub Date: April 2, 2024
ISBN: 9781534499713
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
While the logical concerns don’t sink this ship, muffed details have it awash at the scuppers.
A father-and-child team venture out together on their tugboat, rescuing a small boat and navigating a storm before returning safely to their harbor.
Evocative watercolor illustrations effectively convey the ocean and harbor setting with azure skies, puffy clouds, swirling seas, and a rip-roaring thunderstorm with lightning streaking across purplish skies. While the intriguing illustrations are the book’s strongest feature, several illustrations do not have exact picture-to-text correlation. Some perplexing depictions that could disorient coastal readers include an ocean liner on a direct path for collision with a sailboat and the tugboat (as well as the nearby shore) and a jet shown in the hangar bay of an aircraft carrier, which would not likely be anywhere near this small harbor. Safety-conscious readers will be concerned by the lack of clearly depicted personal flotation devices on the child and father. The child (who is androgynous) is shown wearing a slim vest, but it isn’t clearly a life jacket. Sharp-eyed readers will note that the line that’s towing the dinghy the tug rescues disappears in some pictures, as does the dinghy’s occupant. The cast of characters includes people of color; the child’s father has light skin and dark hair, and the mother presents as Asian. The short, rhyming text conveys a dramatic and interesting story, but in the pictures, too many extraneous types of boats make unnecessary and illogical appearances. Nautical terms used in the story are defined in a glossary.
While the logical concerns don’t sink this ship, muffed details have it awash at the scuppers. (Picture book. 4-7)Pub Date: May 14, 2019
ISBN: 978-1-4847-9952-9
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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