A poignant, elegant story about loss and the enduring power of love.
In Grant’s (Pranked, 2015, etc.) novel, a boy makes a wonderful new friend who’s terminally ill.
The unnamed narrator of this book looks back 70 years on one special day in his childhood, “Perhaps my best day.” On a holiday visit to the seashore, the young, lonely narrator feels he can’t connect with the other vacationers’ loud, confident kids, and his parents are busy with work and a new baby. But then he meets Ilio, a boy who’s two or three years older than he is. He has a thoughtful, fey quality that marks him as different from most children; it turns out that he’s dying of an incurable illness, and his last wish is “to stand at the edge of the world,” on the seashore. The boys become instant friends and spend a perfect day building a kite. This requires many steps, but Ilio is resourceful, and they’re proud of their accomplishment. As they joyfully fly the finished kite, the narrator wonders “Was the kite me? And what about Ilio?...Were he and I connected forever? And if that were true, wasn’t everyone connected to everyone else, over and over, forever and always?” The narrator, struggling with the mystery of suffering, is again reminded of connectedness when Ilio, close to death, says that “Everyone suffers. Just not at the same time.” Grant makes her story seem timeless, like a parable, and this feeling is underscored by the narrator’s namelessness. The book asks some big questions about life, death, and memory and sticks with the child’s point of view even when investigating complicated subjects. The multilayered characterization is handled well; for example, the narrator begins the book feeling oppressed by critical yet distant adults, who seem like a different species to him, but by the end, he feels real empathy for Ilio’s father. Another kind of character development occurs when the narrator tries to distract Ilio by telling a tale, showing the beginnings of his writerly talent as he discovers the challenges of composition (“How was it that anyone ever made up a good story?”) and finds ways to resolve them.
A poignant, elegant story about loss and the enduring power of love.Pub Date: April 1, 2020
ISBN: 978-1-73308-060-6
Page Count: 155
Publisher: Yearning Press
Review Posted Online: Jan. 14, 2020
Kirkus Reviews Issue: Feb. 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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