Haunting, intense, and eerily spooky.
An amateur horror movie star returns years later to the haunted house where the film was shot, hoping to get answers and resolve her fears.
Sophia Galich was 12 when her older sister, Layla, made her the unwilling star of Vermillion. Cashore House’s reputation is haunted by the film’s startlingly realistic and disturbing footage, combined with the dark lore surrounding the tragic fate of a well-known Russian ballerina who died there in the 1930s, both of which make it a cult favorite among V-heads. These ardent fans believe everything in the film was true and claim that viewing it leads to paranormal experiences. Sophia, however, chooses to believe it all was fake, accepting the reassurances her sister gave her about special effects. Two years ago, Layla mysteriously vanished; eager to find her, Sophia, now 17, agrees to play the lead in a documentary that includes an on-site reenactment. She’s convinced the house holds the answers to her sister’s disappearance and the question of whether Vermillion’s ghosts are just memories of her fears, or if she was—and still is—embroiled in a demonic game of identity, possession, and death. An intricate paranormal backstory imbues the book with robust terror that may provoke readers to wonder whether it’s all real. The artful weaving of ghostly horrors with the off-kilter creepiness of films and fandoms creates multiple layers of fear in this deeply unsettling page-turner. Main characters are cued white.
Haunting, intense, and eerily spooky. (Horror. 14-18)Pub Date: Oct. 3, 2023
ISBN: 9781645679639
Page Count: 368
Publisher: Page Street
Review Posted Online: Aug. 11, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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