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FOR MATRIMONIAL PURPOSES

Appealing story, with a fine ear for dialogue and a tender wit: an auspicious debut for Los Angeles–based fashion...

My big fat Bombay wedding.

Anju’s parents expect her to have a traditional arranged marriage, like her just-wed younger sister, but Anju has other ideas. Besides, she’s already (at 28) past the most desirable age, and the astrologer her nervous mother consults sees no bridegroom soon. Kindly relatives counsel patience. An Internet search of eligible Indian bachelors turns up a few prospects, but none interesting to Anju, so she persuades her doting parents to let her try her luck in America, under the watchful eyes of an amiable uncle in New Jersey and his scolding wife. Watching TV and landing a job in New York fashion merchandising immerse her in Western culture, but in matters of the heart, she’s deeply conservative. Dating an all-American guy is a tricky business, she finds, especially when he refuses to sneak away from the nosy relatives she spots at the restaurant, who are sure to tell all to her faraway family. What to do? Traditional Indian men will regard her as too independent and experienced (though she remains a virgin), but she can’t revert to the innocent girl she was in Bombay. A trip home for her cousin’s wedding only confirms this fear—and her mother’s unsubtle efforts to introduce her to as many men as possible drive her nutty. She talks her parents into letting her return to New York, explaining that many Indian stockbrokers and accountants live there, too. But her ceaseless efforts to find a suitable mate often border on the absurd, as in this communication from a cyberchap: I am blameless innocent divorced man. I before have married to crazy-demented white woman, only for purposes of green card. Am seeking wife number two. I am honest, good person. Please be good and e-mail me by return.

Appealing story, with a fine ear for dialogue and a tender wit: an auspicious debut for Los Angeles–based fashion correspondent Daswani.

Pub Date: July 1, 2003

ISBN: 0-399-15070-6

Page Count: 288

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2003

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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