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WHERE THE HEART BEATS

JOHN CAGE, ZEN BUDDHISM, AND THE INNER LIFE OF ARTISTS

Some wooly mysticism fogs up these pages but overall, a well-researched and thoughtfully framed study of an often...

An unconventional biography of avant-garde composer John Cage (1912–1992) and the profound influence Zen Buddhism had on his music.

Cage is most famous for 4’33”, a 1952 work whose audacity—essentially four minutes and 33 seconds of silence in which the only sounds are those of the performance environment—inspired a raft of experimental artists. The piece has also been mocked for its anybody-can-do-that simplicity. However, as longtime art critic Larson makes clear, it sprung from years of deep spiritual practice and hard thinking about the structure of music. Beginning his career on the West Coast, Cage studied with pioneering modernist composers Arnold Schoenberg and Henry Cowell but broke free to find ways to integrate music with the noise of everyday life. At the same time, he grew enchanted with varieties of religious mysticism, studying under D.T. Suzuki, who helped promote Zen Buddhism in the West. In time, Cage’s work acquired an openness that ultimately produced 4’33”. Larson structures the book as a kind of call and response between Cage and his associates, alternating paragraphs of conventional biography with extended, often gnomic, quotations from Cage. The strategy is most effective when it shows the effect his uncanny calm had on others: Composers like Morton Feldman and Yoko Ono and painters like Robert Rauschenberg and Jasper Johns were all influenced by Cage’s thinking. However, Larson’s approach does leave Cage’s life as more of a mystery than a biography perhaps ought to. After the triumph of 4’33”, she dwells little on the details of her subject’s life, only briefly noting that Cage struggled with his homosexuality and kept his decades-long relationship with choreographer Merce Cunningham a secret.

Some wooly mysticism fogs up these pages but overall, a well-researched and thoughtfully framed study of an often misunderstood artist.

Pub Date: July 9, 2012

ISBN: 978-1-59420-340-4

Page Count: 480

Publisher: Penguin Press

Review Posted Online: April 20, 2012

Kirkus Reviews Issue: May 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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