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CHIRRI & CHIRRA, THE RAINY DAY

From the Chirri & Chirra series

Another delightful outing in this winsome Japanese series.

It’ll take more than rain to dampen the moods of indefatigable bicyclists Chirri and Chirra.

Of course, their ride in the rain is far from a slog. Shortly after the drops begin to fall, they happen upon a shop that is “only open on rainy days.” Inside, a squirrel family enjoys tea, and the pig shopkeeper welcomes the adventurers. After some tea, each buys a raincoat, and they set back out on a trip that only turns more magical: The rain starts “falling from below,” stopping at the bottoms of their wheels and lifting them up to treetop level (don’t question the physics; Chirri and Chirra certainly don’t trouble themselves); another shop has huge windows from which the kids can view the upside-down rain; outside again, they join some animals gathered around a gumdrop tree: “Chomp chomp, nom nom, yum yum.” The upside-down rain ends, and animals, children, and bikes are all in the canopy of the gumdrop tree. Not to worry: The gumdrops turn into balloons that float everyone safely back down. Doi’s trademark illustrations, made with colored pencils to evoke the look of mid-20th-century lithographs, depict the protagonists with pale skin, rosy cheeks, and black pageboys. They cycle ever to the right across the spreads, which take advantage of the book’s unusual trim size to open to a 6.5-inch-tall by 18-inch-wide panorama that’s somehow both cozy and expansive.

Another delightful outing in this winsome Japanese series. (Picture book. 3-6)

Pub Date: June 22, 2021

ISBN: 978-1-59270-307-4

Page Count: 40

Publisher: Enchanted Lion Books

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

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LITTLE RED SLEIGH

Sadly, the storytelling runs aground.

A little red sleigh has big Christmas dreams.

Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)

Sadly, the storytelling runs aground. (Picture book. 3-6)

Pub Date: Oct. 1, 2020

ISBN: 978-1-72822-355-1

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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