A disappointingly superficial approach to a potentially rewarding topic.
Schaefer’s breezy survey examines the dilemmas facing Americans in their 30s.
The author of Text Me When You Get Home, now in her 40s, discusses her own experiences and those of seven other men and women, "all part of today's sprawling middle class,” as they face five life transitions that in earlier times often occurred significantly earlier in one’s life span. These include completing school, leaving home, marrying, becoming financially independent, and having a child. Schaefer, who began this book before the pandemic, touches briefly on its role in slowing these achievements down, but she focuses primarily on pre-pandemic life. The author occasionally refers to other books, generally pop sociology like Gaily Sheehy’s Passages or Jill Filipovic’s The H Spot, and quotes celebrities like Jennifer Aniston, but she pays most attention to documenting the lives of herself and her subjects. While these anecdotes are entertaining, in occasionally uncomfortable ways, the individuals that Schaefer profiles are hardly representative of the range of 30-something experience. Two are stand-up comedians attempting to find success in Los Angeles, sometimes relying on money from their parents; another quit a stable job to pursue entrepreneurship; one is a stay-at-home father writing a novel. Alongside their stories, Schaefer chronicles her own familiar struggles within the 21st-century journalism landscape. Most of her subjects are impetuous—e.g., using a $10,000 loan to go on a spending spree or saying things like, "Let's be irresponsible with it. Let's go to Italy”—which means little reader sympathy for their plights even as they attempt to take risks and follow their dreams. While a book about delayed adulthood in the U.S. could be useful, this one covers such a narrow spectrum of individuals that it's difficult to extrapolate any meaningful conclusions from their experiences. By contrast, Sheehy’s book included interviews with 115 people.
A disappointingly superficial approach to a potentially rewarding topic.Pub Date: March 2, 2021
ISBN: 978-1-5247-4483-0
Page Count: 240
Publisher: Dutton
Review Posted Online: Feb. 3, 2021
Kirkus Reviews Issue: March 1, 2021
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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