A smart, ambitious dystopian tale that teases the protagonists’ epic genesis but saves most of the details for later volumes.
Government types and a mysterious figure pursue a girl and her twin brother in this debut sci-fi novel and series opener.
Elize and Keeto Simone live in a world of ravaged oceans and deadly gases. And there’s deceit as well, as least from their father, who they suspect has kept things from them, namely details on their mother’s predicament. Years ago, the Global Health Unit took her away, placing her in a hospital’s psychiatric wing. Now Elize is experiencing symptoms of possible mental deterioration (for example, hearing voices). Believing she’ll be hospitalized, too, the twins leave their father behind for Schrödinger University; Elize earned acceptance into the bioengineering program. Determined to maintain a low profile and decipher their father’s flashes (memory recordings), the siblings meet new people but struggle with trust, from Caroline to technological genius Stitch. The enigmatic Nathruyu, meanwhile, trails the twins to the university, certain that her destiny’s somehow tied to theirs. But she’s not the only one hunting them; the Unification’s also after them, and Elize and Keeto want answers, starting with their own origin. Lefave splits her striking tale into three distinct, mostly linear perspectives: Nathruyu’s vague narrative; Elize’s animated, first-person account; and Keeto’s journal entries for their mother. Nathruyu’s story is often bewildering, as her link to the twins remains deliberately obscure. But even abstract moments spawn visual prose: “The atmosphere grows thick with regret, strangling her lungs, as her brain spins inside her skull.” Readers should peruse a glossary addendum first since most slang, though clever and derived from various sources and countries, is sans context. Lefave enhances the plot with murders on campus (some a mystery, others unfolding from a killer’s viewpoint). Much, however, is left unresolved; one character’s promise of answers is an ending riddle that reveals nothing.
A smart, ambitious dystopian tale that teases the protagonists’ epic genesis but saves most of the details for later volumes.Pub Date: July 7, 2017
ISBN: 978-1-988814-00-1
Page Count: 384
Publisher: Aguacene Publishing
Review Posted Online: July 20, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
