by Kazumi Yumoto ; illustrated by Komako Sakai ; translated by Cathy Hirano ‧ RELEASE DATE: Feb. 7, 2023
Quietly contemplative, mingling hope and healing, this is a book that will offer comfort to many.
A single sympathetic soul can make all the difference.
Bear’s friend, a little bird, is dead to begin with. There is no doubt whatsoever about that. Yesterday he was alive, and now he is not. Bear constructs a lovely box, places the bird in it, and carries it everywhere, but the other animals disapprove. “It may be hard but you have to forget about him.” Upon hearing this, Bear shuts himself away for days. When he emerges, he meets a wildcat, who hears his story, acknowledges that he must have loved his friend, and, by playing music, helps Bear to heal. This lyrical, unconventionally beautiful Japanese import reveals text both spare and superbly polished (“His downy feathers were the colour of coral and his tiny black beak gleamed like onyx”). Black images appear on the page as if they were scrubbed away from the surrounding beige, like relief paintings released from their claustrophobic borders. The sole other color, pink, is revealed only after Bear allows himself to remember the good times with his friend. As he finds himself able to let go, the pink infuses the flowers on a grave and in the field and a ribbon on a tambourine that Bear at last learns to play. (This book was reviewed digitally; this review has been updated for factual accuracy.)
Quietly contemplative, mingling hope and healing, this is a book that will offer comfort to many. (Picture book. 4-7)Pub Date: Feb. 7, 2023
ISBN: 978-1-877467-70-7
Page Count: 48
Publisher: Gecko Press
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
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by Kazumi Yumoto & translated by Cathy Hirano
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by Kazumi Yumoto & translated by Cathy Hirano
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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by Marilyn Sadler ; illustrated by Ard Hoyt
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