Top-notch character-driven science fiction.
Seamlessly blending elements of military science fiction and space opera, the second installment in Wagers’ NeoG series—after A Pale Light in the Black (2020)—continues the exploits of the crew of Zuma’s Ghost as they patrol the solar system as part of the Near-Earth Orbital Guard, the space equivalent of the Coast Guard.
Having won the annual Boarding Games—a team competition among various military branches—two years in a row, Lt. Max Carmichael is concerned about her ship’s chances against other NeoG teams in the upcoming preliminary competitions as key crew members have retired and new, untested personnel have joined the ranks. The focus on the competitions is all but forgotten, however, when the crew is deployed as part of a task force to ensure safer trade routes around a remote Trappist station where invaluable funds and supplies have gone missing. The task force uncovers a grand-scale conspiracy in which those behind the plot are attempting to ignite a war between the military and Mars separatists to draw attention away from their nefarious dealings. The storyline gets exponentially more complicated when members of the Zuma’s Ghost realize that one of their own is being blackmailed and forced to help the ruthless conspirators, who will stop at nothing to keep their maneuverings a secret—even if it means murder. Although the storyline is powered by an impressively intricate plot that features mystery, intrigue, and nonstop action, it’s the deeply developed characters and the dynamic relationships among them that fuel this narrative. Wagers creates a cast of characters that are not only authentic, but endearingly flawed. Many characters are memorable, but it’s Chief Petty Officer Altandai “Jenks” Khan who steals the show. So much more than a proverbial badass (“I’m just the weapon you point at whatever you want destroyed”), she has an extensive backstory, and her relationship issues with those she loves are worth the price of the book alone.
Top-notch character-driven science fiction.Pub Date: July 27, 2021
ISBN: 978-0-06-288781-8
Page Count: 416
Publisher: Harper Voyager
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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