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EIGHTY DAYS TO ELSEWHERE

A charming story detailing a woman’s self-discovery through travel.

A reticent homebody finds herself thrust into an adventure that takes her around the world alongside a man she considers her enemy.

Ramona Keene is deeply attached to her uncles’ New York City bookstore, where she works. So when their new landlord, accompanied by a dapper young man he calls his nephew, threatens eviction if they don't cough up triple the rent, she starts looking for a well-paying job to help save the shop. In her quest, Romy stumbles upon an opportunity from ExLibris Expeditions, a company that re-creates literary travel experiences: She must retrace the steps of the character Phileas Fogg from Jules Verne’s classic Around the World in Eighty Days. If she completes the task—without traveling by commercial airlines—she'll receive a bonus and get hired by the company. She accepts the offer with equal parts trepidation and excitement. On the trip, Romy discovers that the new landlord's supposed nephew, Dominic Madison, is on the same journey, and she must beat him if she is to get the job. As circumstances and accidents require the two to join forces, Romy not only comes to understand Dominic, but is also forced to become better acquainted with herself. Dyer takes readers on a journey of self-discovery that spans several continents, engages with various cultures, and touches on urgent sociopolitical issues. Narrated in the first person, Romy’s experiences are able to hint at the wide gamut of emotions that travel can inspire. But while Romy’s evolving relationship with herself and the world around her is sketched in intricate detail, her dynamic with Dominic, an extremely compelling character, receives little attention.

A charming story detailing a woman’s self-discovery through travel.

Pub Date: Aug. 11, 2020

ISBN: 978-0-593-10204-6

Page Count: 480

Publisher: Berkley

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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