by K.E. Rocha ; illustrated by Ross Dearsley ‧ RELEASE DATE: Jan. 5, 2016
While the story is not remotely realistic, it finds strength in silliness and periodic action sequences.
When Spencer’s parents go missing, he’s tossed into a conspiracy of bear-abuse networks and talking bears.
Spencer’s mom and dad run a foundation that sends them on missions to rescue abused bears. Suddenly, his uncle Mark pulls him out of school (and into a car chase) because they’ve gone missing. Mark sends Spencer alone into the forest, where a good friend will be waiting to help him—but it’s a bear with a translator that allows him to communicate with Mark. The translators were developed by Professor Weaver, whom Mark’s parents met while in college, and a bear (hilariously) also named Professor Weaver. At secret, high-tech Bearhaven, all bears wear translators and live normal, humanlike lives with school, video games, a restaurant, and even water aerobics. Spencer stays with (bear) Professor Weaver’s family, befriends Kate the cub, and learns about the bear-abuse networks. These revolve around bear baying, brutally described, in which dogs attack chained and often declawed and defanged bears. He also learns about his parents’ nemeses: their college’s former live-mascot handler and her brother. The football helmet–wearing muscle of their team, the brother is also possibly developmentally delayed, a condition that’s distressingly played for laughs. When preparation fails to win Spencer a spot on a rescue mission, he turns to stealth. The ending sets up the next in the series.
While the story is not remotely realistic, it finds strength in silliness and periodic action sequences. (Fantasy. 8-11)Pub Date: Jan. 5, 2016
ISBN: 978-0-545-81303-7
Page Count: 256
Publisher: Scholastic
Review Posted Online: Oct. 13, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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by K.E. Rocha ; illustrated by Ross Dearsley
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by K.E. Rocha ; illustrated by Ross Dearsley
by Dav Pilkey ; illustrated by Dav Pilkey ‧ RELEASE DATE: Aug. 26, 2014
Dizzyingly silly.
The famous superhero returns to fight another villain with all the trademark wit and humor the series is known for.
Despite the title, Captain Underpants is bizarrely absent from most of this adventure. His school-age companions, George and Harold, maintain most of the spotlight. The creative chums fool around with time travel and several wacky inventions before coming upon the evil Turbo Toilet 2000, making its return for vengeance after sitting out a few of the previous books. When the good Captain shows up to save the day, he brings with him dynamic action and wordplay that meet the series’ standards. The Captain Underpants saga maintains its charm even into this, the 11th volume. The epic is filled to the brim with sight gags, toilet humor, flip-o-ramas and anarchic glee. Holding all this nonsense together is the author’s good-natured sense of harmless fun. The humor is never gross or over-the-top, just loud and innocuous. Adults may roll their eyes here and there, but youngsters will eat this up just as quickly as they devoured every other Underpants episode.
Dizzyingly silly. (Humor. 8-10)Pub Date: Aug. 26, 2014
ISBN: 978-0-545-50490-4
Page Count: 224
Publisher: Scholastic
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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by Dav Pilkey ; illustrated by Dav Pilkey
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by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi & Wes Dzioba
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by Dav Pilkey ; illustrated by Dav Pilkey color by Jose Garibaldi & Wes Dzioba
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by Dav Pilkey ; illustrated by Dav Pilkey ; color by Jose Garibaldi & Wes Dzioba
by Rebecca Bond ; illustrated by Rebecca Bond ‧ RELEASE DATE: July 7, 2015
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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by Rebecca Bond ; illustrated by Salley Mavor
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by Rebecca Bond ; illustrated by Rebecca Bond
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by Rebecca Bond ; illustrated by Rebecca Bond
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