An intriguing study of “the gargantuan story of our paradoxical relationship with the animal world.”
British nature writer Carew, author of Dadland and Quicksand Tales, offers a compelling mixture of memoir, history of human dealings with animals, and accounts of human-animal relations today, which includes fascinating and gruesome stories, brilliant individuals, and a modicum of hope. Most religious origin stories portray humans as having authority over animals, and humans have waged a centurieslong “war against nature,” selecting animals based on “characteristics useful to us: meatiness, hardiness, woolliness, adaptability, docility, and we dispatched the individuals who didn’t suit. Quite sinister. A bit like The Handmaid’s Tale for farm animals.” Still, writes the author, “we are more similar than alien, closer than far apart. When apes touch their lips together like kissing, it is kissing. When they put their arms around each other as if they were embracing, they are embracing.” In addition, “fish feel pain.” There follow two dozen vivid chapters describing human-animal relations, and readers should expect a rough ride. The mass slaughter of birds to decorate 19th-century women’s hats is a conservation cliché, but the details will disturb even the most enlightened reader. They will also marvel at the dazzling accomplishments of homing, racing, and performing pigeons. Carew makes a convincing argument that killing animals for pleasure (fox hunting, trophy hunting) is a form of necrophilia, with hunters expressing intense, physical love of their victims. As “the smartest animals,” humans have the tools for environmental preservation, although billionaires seem to accomplish as much as national governments. The author argues passionately for making “ecocide” a crime against humanity under international law along with genocide and war crimes. Since international law is unenforceable, nations can join for superficial reasons, but this turns out to produce some inconveniences for industries bent on destruction.
Beautiful nature writing, the usual horrors, and modest optimism.