This adroit amalgamation of two beloved Christmas stories will be best appreciated by children already familiar with both...
A Christmas Eve performance of The Nutcracker ballet runs amok with multiple mishaps but is saved in the nick of time by the arrival on set of Santa Claus and his elves.
The familiar rhyme and rhythm of “The Night Before Christmas” serve as the structure for this clever melding of two beloved holiday stories. An all-child cast is about to perform The Nutcracker, but the day of the performance is filled with mishaps, from torn tutus to sick stagehands to a broken nutcracker. Santa and the elves fix everything and even lend the sleigh and reindeer to the Sugarplum Fairy to use in the performance. The play is performed on Christmas Eve, and Santa steps on stage during curtain calls for “a rollicking round of applause.” Large-format illustrations with a double-spread format and horizontal orientation ably capture the backstage and onstage scenes. The multiethnic children who make up the cast seem a little too young to be putting on The Nutcracker, but the roly-poly kids are undeniably cute in their mouse and flower costumes. Two final pages include a plot summary of The Nutcracker and a glossary of ballet terms.
This adroit amalgamation of two beloved Christmas stories will be best appreciated by children already familiar with both tales rather than as an introduction to The Nutcracker ballet. (Picture book. 4-7)Pub Date: Sept. 1, 2015
ISBN: 978-1-58536-889-1
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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