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LET THEM WHIMPER

A FULLY JUSTIFIED (IN NO WAY PERSONAL) ARGUMENT FOR THE ABANDONMENT OF HUMANKIND

An epic, entertaining fusion of hilarity, unease, and memorably eccentric characters.

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In this debut satire, people in a dystopian nation unwittingly cross paths with a fiendish being who’s crusading for the Apocalypse.

Park ranger Trent Taphor cares for his twin brother, Calvin, who has Down syndrome. That doesn’t mean that Trent is too preoccupied to notice that his fellow Californians are evacuating their homes on account of the “anomaly” popping up on the Doppler radar. On the same night that the mass of “goopy dots” appears, Calvin vanishes, soon after encountering creepy, perpetually smiling Mr. Moony. Not far away, a local cult, certain this event spells the impending end of days, names member Don Philly, a writer who’s actually undercover for research, as the “Chosen” one to face whatever doom awaits. Ten years later, the U.S. has become the Divided States of America while a series of calamities, including merciless storms and another civil war, have shaken the country. Calvin is effectively imprisoned with others whom Mr. Moony dubs “the significants,” while Trent and Philly, both having apparently swallowed one of those dots (which are even worse than they initially seemed), are affected in a disturbing fashion. The twins and this so-called Chosen writer most assuredly have links to a diabolical plan that Mr. Moony has brewing, in which he’ll ensure the Apocalypse transpires. Doing so requires more people whom he draws together—hacker and former reality TV star Love; her psychedelic therapist and former best friend, Yew; and high school principal Gary Mustafa. Combine all of them with recently christened Eden’s End, a quasi-utopia on the DSA’s West Coast, and Mr. Moony may very well get the Apocalypse he’s craving.

The first third of Enterante’s 446-page novel, which centers primarily on Trent, Calvin, and Philly, leans toward horror. This element comes courtesy of Mr. Moony’s chilling introduction in the pitch-black night, the inexplicable “storm” aimed at California, and Trent’s eerie tendency to converse with his meat cleaver, Dex. But the story changes direction following a time jump and the corresponding exposition that the narrative sprints through. The original trio sadly fades into a gradually expanding cast, with the plot becoming more devoted to unraveling mysteries and connecting characters in sometimes surprising ways. Of course, this new focus also prompts darkly comedic turns that lampoon such topical issues as America’s political polarization and the prevalence of social media and technology. For example, the DSA’s three politically charged “Zones”—Red, White, and Blue—abide by the oxymoronic Treaty of the Divided Alliance. Such drollness runs throughout the book, from Philly on the phone with his wife in Florida and oblivious that she’s clearly enjoying someone else’s company to Yew taking a call during a therapy session and convincing her patient that the ringtone was an LSD hallucination. Enterante takes advantage of the futuristic setting, with robotic Skeeter-5000s joining the cast and someone using tech to provoke a tragedy. This work’s curious structure employs an unknown narrator who adds periodic asides to an omniscient narrative (“Mind You, I’m nearly finished with my tale’s whole setup—just so You know”). While most readers will work out who this figure is, the narration leads to an unforgettable and truly worthy ending.

An epic, entertaining fusion of hilarity, unease, and memorably eccentric characters.

Pub Date: Sept. 1, 2023

ISBN: 9798987733806

Page Count: 458

Publisher: Oblivion Press

Review Posted Online: March 11, 2024

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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