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CAVE GOSSIP

An absorbing tale in which the quest for self-knowledge packs a lot of emotional resonance.

A mild-mannered scholar confronts his woman problems by delving into the mythic landscape of the south of France in this searching psychological novel.

Karl Wisent, a 30-ish German man living in Paris in the early 1990s, is writing a book about Nietzsche, but his life couldn’t be more un-Nietzschean. He’s thoroughly under the thumb of domineering women, from the censorious nuns at the Catholic girls’ school where he teaches to his estranged wife Heike, who lives in Berlin and has denied him sex for years. He finally takes–or rather is taken by–a mistress, Hélène, who is firmly in charge in bed and out. She makes it clear that he’s just a “contingent lover” for once-a-week trysts to relieve the tedium of routine sex with her live-in boyfriend. Weighed down by feelings of passivity and alienation, Karl retreats to a chateau in the countryside near Avignon, where he’s surrounded by symbols of an older, more authentic way of life. He takes in Stone Age cave paintings, communes with a peasant family and helps out with farm chores at a local monastery. He’s soon swarmed by a cosmopolitan group of semi-invited houseguests, including Heike and her new boyfriend, and finds himself the odd man out in their sexual roundelay. But he does participate fully in the party’s endless informal symposium, which ranges across such brow-furrowing topics as Greek, Egyptian, Icelandic and Hebrew mythology, the evolution of consciousness, the immortality of the soul and the sublimated cannibalism rite we call Christianity. As Karl applies all this lore to his anguished psyche, the book sometimes reads like a cross between Joseph Campbell and Freud. (One bevy of latter-day maenads advises Karl to project “the spirit of the bull” if he wants to satisfy a woman.) But Harvey writes with a subtle, evocative realism that keeps the ruminations grounded in the characters and their everyday travails.

An absorbing tale in which the quest for self-knowledge packs a lot of emotional resonance.

Pub Date: Nov. 1, 2009

ISBN: 978-1-4401-7189-5

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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