by Keith Negley ; illustrated by Keith Negley ‧ RELEASE DATE: Jan. 15, 2019
An endearing delivery of a valuable message, to be taken with several grains of salt.
A young schoolgirl learns to follow her own rules despite opposition and pressure in this picture book inspired by Mary Edward Walker.
In the early 1800s, girls weren’t allowed to wear pants. Only “uncomfortable dresses…heavy-and-hot-and-hard-to-breathe-in dresses.” The expressive pink and blue drawings and patterns on ample white space show unhappy, immobile girls, while boys in pants cartwheel, jump, run, and play. But one day Mary has an idea. She wears pants. The townspeople are shocked! They heckle her, they throw things at her, they tell her not to wear boys’ clothes. In a touching scene, she sits with her father and asks if she should stop wearing pants. He says that people sometimes fear what they don’t understand, but he doesn’t tell her what to do. She decides to stick with her decision: “I’m wearing my clothes!” In the end, she’s a trendsetter. The constant association of skirts with frowns and pants with happiness oversimplifies both the historical moment and a modern-day environment in which skirts are the norm in many cultures. The sudden appearance of all the girls in pants (and smiles) at the end as well as multiracial faces among both hecklers and classmates make this more of a story than a biography. But the example of following one’s inner compass and bucking the status quo comes across loud and clear. A note on the historical Walker, a white woman who served as a surgeon during the Civil War, is appended.
An endearing delivery of a valuable message, to be taken with several grains of salt. (Picture book. 4-7)Pub Date: Jan. 15, 2019
ISBN: 978-0-06-284679-2
Page Count: 48
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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