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TRUMP IS F*CKING CRAZY

(THIS IS NOT A JOKE)

Unrelenting invective for Trump haters, who will love it; Trump lovers won’t read it.

A veteran liberal journalist excoriates Donald Trump in a collection of commentaries from the Resistance, his web series hosted by GQ.

Beginning with the 2016 presidential campaign and concluding in late June 2017, these pieces pound away at a series of complaints—some profoundly serious—about Trump, complaints ranging from what Olbermann (Pitchforks and Torches: The Worst of the Worst, from Beck, Bill, and Bush to Palin and Other Posturing Republicans, 2010, etc.) sees as Trump’s habitual lying, the Russian involvement in the election, the attempt to repeal and replace the Affordable Care Act, the last-minute involvement of the FBI in the defeat of Hillary Clinton, the firing of James Comey, and the contortions exhibited by Trump officials who defend him through everything. The author pretty much exhausts the thesaurus in his name-calling, and he argues that Trump is a modern Nero; Napoleon; a latter-day Nixon. The author also has harsh things to say about the media (looking for opportunities to call Trump “presidential”), Republicans, and Trump supporters of all stripes (Kellyanne Conway is “Kellyanne Con Job”). Olbermann is fond of some rhetorical devices: an ancient one, anaphora (the repetition of key words or phrases at the beginning of a sentence or paragraph: “Who else but a jackass…”), as well as a more recent one (The. Placement. Of. A. Period. At. The. End. Of. Each. Word.). Olbermann is also not above self-promotion of his own—he mentions the number of visitors to his site and credits himself for a few other good things—but for the most part, his focus is on the man he despises and on the minions who support him. The pieces are generally short and sharply focused on something quite recent at the time of composition—Trump’s post-election talk to the CIA, the testimony of Sally Yates—and the prose is consistently aggressive and often abrasive.

Unrelenting invective for Trump haters, who will love it; Trump lovers won’t read it.

Pub Date: Oct. 17, 2017

ISBN: 978-0-525-53386-3

Page Count: 448

Publisher: Blue Rider Press

Review Posted Online: Sept. 2, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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