A potent SF depiction of humanity victimizing peaceful aliens.
An Earth-based space empire exploits and enslaves Milky Way civilizations for its own selfish benefit while a crablike alien refugee and an outcast human warrior try to oppose its latest crimes.
Stevenson’s far-future SF series opener focuses on evil space invaders who happen to be human—an order called the Hegemony, which arose in the aftermath of a traumatic but victorious (though scarcely described in any detail) interplanetary war. Hegemony policy assures the safety of humankind by incorporating spacegoing alien civilizations in what is supposedly a protective alliance akin to the storied Federation of the Star Trek franchise. In fact, the oppressive arrangement subjugates and weakens the Hegemony’s coalition planets, making them little more than Earth vassals and underclasses. Rhees Lowrans, an eager human fighter pilot for the Hegemony, accidentally causes the death of a close comrade in a training exercise and is punished with a transfer to the much-disliked intelligence branch. There, she learns inside dirt about a mystery attack on nonhuman colonies in which Hegemony military might did nothing to avert the slaughter of 13 billion aliens. In a parallel narrative (barely intersecting in this installment), Udun is a rare, space-traveling member of the Kresz—intelligent humanoid arthropods (“like a cross between a crab and a lobster but with only two arms and two legs, though these were strangely jointed and much longer than a human’s”) with an isolationist culture. Udun’s unheard-of voyages beyond Kresz territory give him ominous clues of an approaching crisis, but he is unprepared for the ruthless barbarism of the Hegemony. The captivating story ends at a turning point, and readers will eagerly look forward to the sequel. The author’s gift for xenofiction matches that of genre grandmasters like Hal Clement, Larry Niven, and C.J. Cherryh. Stevenson gets under the alien skins (or carapaces) and unique emotional makeup of the Kresz characters to the point that readers begin to see the ultimately amoral Homo sapiens as grotesque and “other” as any bug-eyed monster on the cover of yesteryear’s SF pulps. Comparisons between the Hegemony’s malevolence and real-world developments should be evident even without the words Homeland Security ever being deployed.
A potent SF depiction of humanity victimizing peaceful aliens.Pub Date: Oct. 1, 2023
ISBN: 9780648197553
Page Count: 352
Publisher: Coeur de Lion
Review Posted Online: July 11, 2023
Kirkus Reviews Issue: Aug. 15, 2023
Review Program: Kirkus Indie
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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