by Keith Thomson ‧ RELEASE DATE: March 24, 2006
Dumb fun, smartly imagined.
A blogger-slash-whaler goes hunting for his prey in the Caribbean—where the waters are shark-infested, the crew is always on the verge of mutiny and absurd plot twists arrive with every other paragraph.
Thomson’s raucous comedy of errors is the tale of Gus Openshaw, a worker at a cat-food cannery who spends his summer hot on the trail of the “blubbery bastard” who swallowed his wife, child and right arm. Openshaw obsessively details his pursuit on his blog, and he’s a little surprised to learn that his readership knows of other obsessive, one-limbed whalers. (“I’ve been calling [the whale] ‘Dickhead,’ ” he writes. “Everybody always laughs and says that’s a witty reference. Hell if I know why.”) Joining him on the trip are a short-tempered, murderous cook, a deckhand who’s addicted to hull cleaner, the appropriately named Stupid George (who at one point heaves a harpoon handle-first) and Flarq, a Queequeg-like deckhand who draws “scrimshaws” of the events in the story (illustrations appear throughout). Thomson constantly subverts the narrative by concocting increasingly ridiculous turns of events—Openshaw’s sued for libeling Dickhead on his blog, after which he falls for the Princess of Whales, the ruler of a small whale-worshipping island who, in turn, happens to work for a black-market arms dealer who appears at crucial moments with, say, a prosthetic arm, or an F-15 fighter jet. Yet Thomson never loses his grip on the plot—he works hard to make the story hang together logically; the brief, blog-length chapters, meanwhile, keep the jokes punchy and entertaining. If Moby-Dick was a richly symbolic work about the whole of human experience, this is just an assortment of riffs on adventure tales, love stories and human idiocy in general. Thomson is no Melville, but there’s no question who’s the better gag-writer.
Dumb fun, smartly imagined.Pub Date: March 24, 2006
ISBN: 1-59692-172-2
Page Count: 260
Publisher: MacAdam/Cage
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2006
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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