by Keith Walker ‧ RELEASE DATE: June 10, 2024
A deeply reflective set of poems with a mature perspective.
Awards & Accolades
Our Verdict
GET IT
Walker’s debut poetry collection looks, in part, to the past for reflective verses on life, loss, and human suffering.
These short works tell a story—one that reads like a poetic family memoir, an account of grief and loss, a coming-of-age narrative, and vignettes of adult life and work. The book begins with childhood reflections and shares a raw, sometimes painful picture of an imperfect suburban existence in years gone by. It unfolds to glimpse attentively into the lives of people in pain, with each poem a tale unto itself. Rhythmic, thoughtful language contrasts gritty imagery of liquor stores, and factories, or of a deathbed, as in “The Baby Monitor”: “We bought a baby monitor to hear / my mother in her rented bed / in the living room. / Small red lights followed each breath.” Mortality whispers throughout the book, making an appearance every few pages as a stark reminder, while the author’s free verse poetry paints a grim picture of the world’s injustices. The final poems take a spiritual turn, reflecting on faith and religion, as well as poignant moments in nature, as in “Home Remedy for Writer’s Block,” which reflects on a pond: “Widening ripples / say something perfect / to something perfect / in you.” Walker’s works have a dreamlike quality, with images like scattered puzzle pieces, leaving questions lingering about the texts’ origin and meaning. As a snapshot of the Southern experience, with visits to the industrial North, the collection acknowledges the painful qualities of humanity while also holding space for the beauty of living. Overall, this book flows like a river, one poem into the next, creating a whole narrative that mirrors readers’ own fractured places.
A deeply reflective set of poems with a mature perspective.Pub Date: June 10, 2024
ISBN: 9798987954195
Page Count: 140
Publisher: Saddle Road Press
Review Posted Online: May 24, 2024
Kirkus Reviews Issue: July 15, 2024
Review Program: Kirkus Indie
Share your opinion of this book
More by Keith Walker
BOOK REVIEW
by Keith Walker
by Nick Cave & Seán O'Hagan ‧ RELEASE DATE: Sept. 20, 2022
A somber, sage book about art-making that deserves a readership beyond Cave’s fan base.
The Australian alt-rock icon talks at length about the relationship between faith, death, and art.
Like many touring musicians stalled during the pandemic, Cave pursued an autobiographical book project while in quarantine. But rather than write a standard memoir, he instead consented to a book of extensive interviews with U.K. arts journalist O’Hagan, photography critic for the Guardian and a feature writer for the Observer. Cave chose this approach in order to avoid standard rock-star patter and to address grittier, more essential matters. On that front, he has plenty of material to work with. Much of the book focuses on his 15-year-old son Arthur, who died from an accidental fall off a cliff in 2015. The loss fueled Cave’s 2019 album, Ghosteen, but Cave sees the connection between life and art as indirect, involving improvisation, uncertainty, and no small amount of thinking about religion. “The loss of my son is a condition; not a theme,” he tells O’Hagan. Loss is a constant in these conversations—during the period when they were recorded, Cave’s mother also died, as did his former band mate Anita Lane. Yet despite that, this is a lively, engrossing book energized by Cave’s relentless candor—and sometimes counterintuitive thinking—about his work and his demons. His well-documented past heroin addiction, he says, “fed into my need for a conservative and well-ordered life.” Grief, he suggests, is surprisingly clarifying: “We become different. We become better.” Throughout, he talks about the challenges and joys of songwriting and improvisation (mostly around Carnage, the 2021 album he recorded with band mate Warren Ellis during this period) and about the comfort he gets answering questions from fans and strangers on his website. O’Hagan knows Cave’s work well, but he avoids fussy discographical queries and instead pushes Cave toward philosophical elaborations, which he’s generally game for.
A somber, sage book about art-making that deserves a readership beyond Cave’s fan base.Pub Date: Sept. 20, 2022
ISBN: 978-0-374-60737-1
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 2, 2022
Kirkus Reviews Issue: Sept. 1, 2022
Share your opinion of this book
More by Nick Cave
BOOK REVIEW
by Nick Cave
BOOK REVIEW
by Nick Cave
More About This Book
SEEN & HEARD
Awards & Accolades
Likes
28
Our Verdict
GET IT
New York Times Bestseller
IndieBound Bestseller
by Matthew McConaughey ‧ RELEASE DATE: Oct. 20, 2020
A conversational, pleasurable look into McConaughey’s life and thought.
Awards & Accolades
Likes
28
Our Verdict
GET IT
New York Times Bestseller
IndieBound Bestseller
All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.
“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.
A conversational, pleasurable look into McConaughey’s life and thought.Pub Date: Oct. 20, 2020
ISBN: 978-0-593-13913-4
Page Count: 304
Publisher: Crown
Review Posted Online: Oct. 27, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Share your opinion of this book
More by Matthew McConaughey
BOOK REVIEW
by Matthew McConaughey illustrated by Renée Kurilla
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.