by Kelly Ann Jacobson ‧ RELEASE DATE: April 25, 2023
A heist with no payout.
Robin and her Merry Misfits steal from the rich and give to themselves.
All five of the Misfits, including Robin, keep secrets about their lives before Nottingham, the home they built on an overgrown, foreclosed lot in Florida. The world rejected them, but they found each other. Together, they steal watches, televisions, diamonds, and more for Uncle Frank, a brutal mob boss who recruited Robin off the streets when she was 16. Their cherished life at Nottingham comes to an end when someone puts a $500,000 bounty on Robin’s head. In this modern reimagining of the legend of Robin Hood, a cast of queer girls fight to free themselves from the control of powerful crime families and their own pasts. The fast-paced action and high stakes offer initial appeal, but the story suffers from bland characterization and sudden plot twists that rely heavily on after-the-fact flashback sequences to explain the events. Robin’s flat personality makes the nonlinear plot more difficult to follow. Both Robin and her best friend, Little John, fall for Daisy Chain, a White, culturally appropriating Manic Pixie Dream Girl who speaks in Shakespeare quotes. Their messy love triangle is resolved by the hasty introduction of a new character. Most of the cast is presumed White; Robin’s surname is Ramirez, but her characterization includes no significant indicators of her ethnicity.
A heist with no payout. (Fiction. 14-18)Pub Date: April 25, 2023
ISBN: 978-1-953103-31-4
Page Count: 278
Publisher: Three Rooms Press
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
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by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
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New York Times Bestseller
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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by Laura Nowlin
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SEEN & HEARD
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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