Humanity does not play well with others in this untraditional and engrossing SF tale.
Archival fragments, testimonials, and ephemera tell the story of space-traveling humans discovering two alien races in dire straits and how the multiple species enter into bitter conflict while sharing Earth.
In this SF novel, Jacobson uses an epistolary style to describe—via ingredients in some kind of multimedia “virtual exhibit”—a fateful clash of Earth and alien cultures. In the mid-22nd century, after humanity attains technology to explore millions of galaxies, Earth explorers stumble across the Laffians, tall humanoids in need of a helping hand. They escaped the tectonic destruction of their home world to settle the only other planet they could find supporting life, which they dubbed Adalaffa. But Adalaffa is a globe completely covered in ocean, and the refugees have to unhappily adopt a floating subsistence existence off the ubiquitous (and carnivorous) seaweed. With superior star-mapping, Earth’s emissaries promise the Laffians a better planet—but only in exchange for the aliens meeting impossible harvest quotas of precious Adalaffian flora. The flora turns out to have restorative properties for Earth’s badly damaged biosphere. Ultimately, the Laffians figure out they are getting the raw end of the deal and rebel. This leads to the Laffians meeting (and becoming allies with) the HoFe, another species victimized by Homo sapiens. The HoFe are tree-dwelling feline creatures with a strong warrior heritage—and a doomed home planet for which time is running out. Can the three races possibly share an abundant Earth in peace, acceptance, and respect?
In a narrative woven from bits and pieces of correspondence, diaries, official reports, and even a sort of movie script excerpt, the plot is fragmentary and a bit sketchy in aspects—asking readers to swallow that the distressed, less advanced Laffians and HoFe could suddenly mount an effective Earth conquest (even granted that all of the planet seems ground under the high heel of one bitchy but strategically vulnerable corporate-monopoly CEO). That being a given, the two alien species, charitable and ethical despite their grievances, attempt a cooperative existence and try to blend together into an established society. But the author’s intriguing point of view is similar to that in the Walter Tevis classic The Man Who Fell to Earth. Humanity’s pathologies, such as religious extremism, xenophobia, racism, sexism, consumerism, and capitalism, turn out to be, as with H.G. Wells’ microbes, the subtle threats that undermine and daunt the interplanetary visitors, no matter their thoroughly benign intentions. Previous books by Jacobson took a strong LGBTQ+ orientation, and indeed here, as in Ursula Le Guin’s landmark The Left Hand of Darkness, the aliens are ambisexual, flipping from male to female as mating conditions dictate. While it’s not a prominent theme, a significant subplot deals with the first domestic coupling of a Laffian and a human (“It was our court case that made marriage between our species legal”). And, as with all things where humanity is concerned, complications ensue in this absorbing story.
Humanity does not play well with others in this untraditional and engrossing SF tale.Pub Date: Nov. 17, 2023
ISBN: 9781604893632
Page Count: 278
Publisher: Livingston Press
Review Posted Online: Sept. 18, 2023
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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