An appealing adventure that celebrates the wilderness.
A young boy and his dog seek a home in the woods in this debut picture book.
Wolfgang, a blond-haired White boy with a trusty Dalmatian, decides to live in the wild, and he’s out the door of his family’s cabin before his mother can tell him, “Dinner will be ready when you come home.” Accompanied by his pooch and a parade of wild animals, Wolfgang heads into the woods and arrives at a vast lake. When he encounters animals, he asks about their homes. But he realizes that the anthill is too small, the pine tree too high, and the forest too vast for him to make a cozy home. Finally, when his mother calls him for dinner, he returns to his house, happy to be there—but still intent on living in the wild the next day. Using vibrant language to describe Wolfgang’s odyssey, Kelly Birdsong and Tim Birdsong make the textures, sounds, sights, and smells vivid for young readers. Kramer’s mixed-media illustrations, which feature cartoon and sketched characters and animals against painted backgrounds, are equally inviting. But the assortment of creatures is never mentioned in the text, and readers may be surprised that a bear, wolf, fox, dog, and squirrel get along so well. The images also indicate a much wider world throughout the story than is indicated in the last pages when Wolfgang returns home. This will lead many readers to question how much of the trek is in the boy’s imagination.
An appealing adventure that celebrates the wilderness.Pub Date: Jan. 27, 2023
ISBN: 9781667880235
Page Count: 32
Publisher: BookBaby
Review Posted Online: Jan. 25, 2023
Kirkus Reviews Issue: April 1, 2023
Review Program: Kirkus Indie
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
