A disappointing attempt to breathe new life into a classic.
Three teen psychics attempt to uncover the supernatural mystery of Elias Thornfield and Fairfax Hall in this modern reimagining of Jane Eyre.
Jane Reye is utterly and effectively alone. Without anything—or anyone—in her life to keep her in Indiana, she accepts a job investigating the strange happenings at Fairfax Hall in Derbyshire, England. Jane is no stranger to the supernatural given her ability to use her art to see spirits. Alongside hunky telepath Giovanni and tarot reader Ingrid, Jane attempts to deal with the strange entity that Elias is desperate to be rid of. Her relationship with Elias continues to develop, and she soon realizes his entanglement with the malicious being is more complicated than he first let on. More truths are revealed even as time is running out, and as the stakes get more serious, Jane becomes willing to do anything to save Elias. Though the premise promises something new, the execution doesn’t deliver. The story starts slowly and never takes off, always seemingly at the precipice of action that just fizzles into the next plot point. The pop-culture one-liners seem intended to inject a humorous undertone, but they don’t ring true. Readers will long for deeper development of the relationships to make the closeness by the end feel earned. Characters are cued White.
A disappointing attempt to breathe new life into a classic. (Paranormal. 14-18)Pub Date: Aug. 22, 2023
ISBN: 9780593116081
Page Count: 400
Publisher: Viking
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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