Poetic language, attractive illustrations and a positive message about Islam, without any didacticism: a wonderful...
Lalla, a little Mauritanian girl, gets her heart’s desire when she shows her mother that her faith is important to her.
Lalla sees her mother, her big sister, Selma, her cousin Aisha, her grandmother and all the other women in her West African town all wrapped in malafa, the colorful veils that wrap from head to toe. She wants to look beautiful and grown-up too, but each female family member tells her that wearing the malafa is more important than beauty, mystery, being a mature woman and even tradition. When Lalla figures out for herself that the malafa is central to the religious practice of Muslim women in her region, then her mother joyously wraps her in “a malafa / as blue as the Sahara sky / as blue as the ink in the Koran / as blue as a stranger’s eye.” The author notes that she changed her opinion regarding the wearing of veils for religious reasons when she lived in Mauritania and wrote this book to share the joy she observed. The collage illustrations done by an Iranian artist show the colorful cloths of “lime and mango,” the beautiful women wearing the veils in different ways and the details of the houses.
Poetic language, attractive illustrations and a positive message about Islam, without any didacticism: a wonderful combination. (Picture book. 5-7)Pub Date: Oct. 8, 2013
ISBN: 978-0-375-87034-7
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
BOOK REVIEW
BOOK REVIEW
As vivid a demonstration of community as readers are likely to find.
Charity and caring for others—the Jewish concept of “tzedakah”—comes full circle in the story of a big sister who demonstrates generosity to a younger sibling through community outreach.
After she learns about tzedakah at the community center, Dalia comes home and creates a tzedakah box to begin saving for the center’s project. She inserts a dollar from her birthday money and tells her curious little brother, Yossi, that the box holds “a big yellow comforter.” With each new donation to the box earned from her gardening chores and lemonade sales, Dalia adds a butterfly bush and a banana cream pie. Yossi’s confusion grows; how can these things fit in what is essentially a piggy bank? Dalia kindly explains how her money, pooled with the other center participants’, will eventually buy all three for a lonely, homebound elderly woman. In joining his sister, Yossi learns that “Tzedakah means… doing the right things. It means thinking of others and giving them what they need.” Dressen-McQueen’s fully developed summer scenes in acrylic and oil pastel provide a vivid complement to the often–page-filling text, their naive, folk quality bringing great quantities of love and warmth to the tale.
As vivid a demonstration of community as readers are likely to find. (author’s note) (Picture book. 5-7)Pub Date: Aug. 23, 2011
ISBN: 978-1-58246-378-0
Page Count: 32
Publisher: Tricycle
Review Posted Online: May 20, 2011
Kirkus Reviews Issue: June 1, 2011
BOOK REVIEW
Enjoyable fare for youngsters who already have a concept of the holiday.
The loud, chaotic celebration of Purim and its companion story is recreated in a farm-animal play that results in a surprising development.
After Farmer Max leaves to attend a Purim play, the animals decide to stage their own version. Chicken offers to direct, orchestrating Horse as the King Ahashuerus, Duck as the blushing Queen Esther, bearded Goat as Mordecai, cows as the mooing noisemakers and geese as the audience. Casting a somewhat sensitive Sheep as the evil Haman requires some explanation from Chicken as she retells the holiday’s story through her patient direction. “They aren’t mooing at YOU...They’re mooing at evil Haman.” Still fretting over her role, Sheep retreats off stage to dress in, yes, her wolf’s costume, while a new character, Fox, suddenly appears on the scene with real evil intentions. Confusion quickly moves to realization, with Duck’s bravado leading a flurry of noisy animal antics to scare the fox away before Farmer Max returns with a basket of hamantaschen. Gouache cartoons of wide-eyed, long-lashed characters in muted browns, blacks and tans add enough charm to the required pathos of the text’s circumvented telling for this menagerie’s megillah.
Enjoyable fare for youngsters who already have a concept of the holiday. (Picture books/religion. 5-7)Pub Date: Feb. 1, 2012
ISBN: 978-0-7613-4514-5
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: Jan. 3, 2012
Kirkus Reviews Issue: Jan. 15, 2012
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