by Kelly DiPucchio ; illustrated by Zachariah OHora ‧ RELEASE DATE: Oct. 16, 2018
A cute escapade for the silliest readers.
A pink elephant named Poe sits in the middle of a town’s only road and won’t budge—until someone bothers to find out why he’s there.
The people of Prickly Valley aren’t happy that Poe is blocking their road. A traffic jam forms. People honk and yell at Poe. A traffic cop writes him a ticket. When that doesn’t work, they try making all sorts of noises to shoo him away, from trombones to tap dancing, then turn to begging and bribing. They bring mice, cranes, and magicians. The mayor forms committees. Balloons, fire hoses, and the force of all the people in town can’t get Poe to go. Finally, a brown-skinned girl named Marigold, who’s wearing a hijab that reflects her name, asks the mayor (a pink-skinned woman with white hair and pearls) if anyone has thought to ask Poe why he won’t go. Marigold, who is “fluent in both kitten and hedgehog,” says that “anyone can speak elephant if they just listen hard enough.” She climbs up and listens closely to Poe, who smiles for the first time, then she tells the crowd Poe is waiting for a friend. The mayor doesn’t believe her, but a news reporter thinks he may have seen Poe’s friend. OHora’s matte-finish acrylic-and-pencil illustrations are reminiscent of Madeline’s but with a pink and gold palette; Marigold is an endearing heroine. After the buildup and anticipation though, the story’s conclusion (Poe was sitting on his friend, a monkey named Moe) is more puzzling than satisfying.
A cute escapade for the silliest readers. (Picture book. 3-7)Pub Date: Oct. 16, 2018
ISBN: 978-1-4847-9059-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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