More dialogue than action, but a satisfying yarn.
A Texas police officer fights to rescues her kidnapped daughter in Marshall’s thriller.
Madison Jackson, a police officer with the Texas State Department of Parks and Wildlife, was once held captive by a Mexican cartel and forced to marry Jose Miranda, the second-in-command to kingpin Alejandro Rosales. Madison and Jose had a daughter, Anna, who now lives at home with Madison in Texas while Jose is in prison for his “cartel connections.” One night, Madison discovers her baby has been taken—after a visit to a maximum security facility to check on Jose, she is certain that he and his cartel are responsible for Anna’s kidnapping. Madison enlists the aid of her former Ranger father, Grant Jackson, as well as the Texas governor, Dixon Tucker, who also harbors feelings for her. Madison’s priest, Father Lee, discovers Anna is, indeed, in Mexico, where the cartel is planning to baptize her; Madison decides to steal Anna back in lieu of waiting for a slow court system to address the problem. This novel, the 19th installment in a series, is a quick read that is well-paced and boasts emotional heft. The prose is focused on scene-setting and is very descriptive, sometimes needlessly so: “The driver dressed in a traditional black suit, put the vehicle in park, got out of the car, unlocked the gate, and swung the metal access to the side of the road. He reentered the car, drove forward, then repeated the process to close the gate.” Additionally, the dialogue can feel a bit stilted and old-fashioned, as when Dixon, the governor, flirts with Madison: “You must promise that you will meet me for dinner at least once a week, here in the conservatory…It is the rare woman that I invite to my home twice.” There is also an infelicitous moment when Madison’s dad, while discussing “female intuition,” says, “Don’t think I’ve gone trans on ya,” which is eye- roll-inducing. Setting these flaws aside, Marshall’s story is an effective thriller.
More dialogue than action, but a satisfying yarn.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Oct. 3, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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