Next book

FINDING FRANCES

A page-turning coming-of-age tale that offers an offbeat spin on the YA suspense genre.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

In author Vincent’s debut, a Midwestern teenager learns that everything she’s been told about her childhood is a lie.

Bright, outgoing, and athletic Loretta “Retta” Brooks, a 15-year-old girl in small-town Buckley, Iowa, has been home-schooled her whole life and has spent a lot of time alone. Her mother has long told her that they were the sole survivors of a van accident that killed Retta’s father and all four of her grandparents. Now, as the teen enters public high school, she still feels the effects of her mom’s constant hovering, as the latter works in the school lunchroom. Her mother explains that she’s preoccupied with Retta’s safety and security because of the long-ago accident. But when Retta later tries to secure a copy of her birth certificate from their native Nebraska, only to come up empty-handed, she starts to doubt the murky car-crash account. She soon realizes that her mother has been feeding her a false narrative. A shocking criminal act makes Retta call a phone number that her mother made her memorize for emergencies, which sends her into a Midwest underground of protective strangers and safe houses. There are certainly elements of this story that call to mind the psychological thrillers of Mary Higgins Clark, but Vincent intriguingly chooses to focus on the young protagonist’s feelings of anger, grief, rebellion, and helpless bewilderment when she finds out that nothing she thought she knew is true—including her own name. (Readers may also recall Robert Cormier’s 1977 YA mainstay I Am the Cheese.) The story occasionally pairs Retta with Jack, a potential boyfriend from a Punjabi immigrant household whose members deal with their own issues of control and conservatism; this adds an intriguing multicultural note to the story and deepens its exploration of themes of identity. The author also appends an essay to her gripping story, addressing domestic violence and the personal and social pathologies it breeds.

A page-turning coming-of-age tale that offers an offbeat spin on the YA suspense genre.

Pub Date: Feb. 3, 2020

ISBN: 978-1-5092-2903-1

Page Count: 324

Publisher: The Wild Rose Press

Review Posted Online: Dec. 2, 2021

Kirkus Reviews Issue: Feb. 1, 2022

Next book

TO DIE FOR

Fast-moving excitement with a satisfying finish.

The feds must protect an accused criminal and an orphaned girl.

Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead. 

Fast-moving excitement with a satisfying finish.

Pub Date: Nov. 12, 2024

ISBN: 9781538757901

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 36


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

Likes

  • Readers Vote
  • 36


  • New York Times Bestseller


  • IndieBound Bestseller

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Close Quickview