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YOU DIDN'T HEAR THIS FROM ME

(MOSTLY) TRUE NOTES ON GOSSIP

A perceptive, earnestly documented, yet unnecessarily sprawling exploration of gossip.

How gossip shapes our stories and selves.

McKinney, reporter, novelist, and host of the Normal Gossip podcast, examines the fundamental role of gossip in human connection. As she observes, “We gossip and we tell stories because that is how we each make sense of the world, with ourselves at the center reaching outward trying to connect with others, to prove to ourselves that we are real, that if anything is true, it is us.” She takes an ambitious journey through the landscape of human storytelling, and her exploration spans multiple domains: religious history (“Gossip and religion are braided together in our history as a species, so it makes sense that our belief systems have created rules around how we gossip and when. Maybe that is why the two—gossip and Christianity—are so intertwined for me”), ancient literature, and contemporary culture. Drawing from The Epic of Gilgamesh, she illustrates how even humanity's oldest known written story revolves around intimate conversations and shared secrets between its heroes, demonstrating gossip’s timeless role in storytelling. She references literary giants like Jane Austen, Kurt Vonnegut, and Rachel Cusk alongside commentary on reality TV phenomena such as The Real Housewives and The Bachelor franchises, while also examining celebrity narratives like Britney Spears’ public story. Personal experience enriches McKinney’s perspective, particularly her account of losing hearing in one ear and how this physical limitation has shaped her relationship to information and rumor. While McKinney provides meticulous research and offers some genuine insights in her attempt to elevate gossip to a worthy subject of study, the book’s expansive scope ultimately works against it. What might have been a sharp, incisive essay feels diluted when stretched to book length. The result is a work that, despite some intriguing observations, would have landed with more impact in a more condensed format.

A perceptive, earnestly documented, yet unnecessarily sprawling exploration of gossip.

Pub Date: today

ISBN: 9781538757406

Page Count: 288

Publisher: Grand Central Publishing

Review Posted Online: Nov. 23, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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BEYOND THE GENDER BINARY

From the Pocket Change Collective series

A fierce, penetrating, and empowering call for change.

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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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