CHEVY IN THE HOLE

An unlikely romance develops in the shadows of post-industrial Flint, Michigan.

After a near-fatal drug overdose in 2014, August Molloy moves from Detroit back to his hometown of Flint. There, he picks up work at a nonprofit community garden, where he meets Monae Livingston. The two are alert to their differences in terms of race (he’s White, she’s Black) and class (August’s family is perpetually down-at-the-heels, Monae is the niece of a civic leader). But as the novel alternates between 2014 and signature moments over the decades prior, more common ground emerges: They’re both products of Flint’s once-mighty economy (the title refers to the former site of a Chevrolet assembly plant) and a host of family secrets, from quiet affairs to mob killings. The connection between the two is symbolized by a modest-selling 1960s R&B single August inherited from his grandmother that’s become a high-ticket collectors’ item—the proceeds of which August is eager to use to purchase a cheap new home and reboot. Monae is skeptical, and the tone of Ronan’s debut echoes that feeling: At every point in time the author finds a city that feels entropic, prone to deceit, collapse, and pollution. (The city’s water crisis plays a key role in the plot.) Individual chapters make for some fine set pieces, like a tryst undone by a tornado, Monae’s uncles witnessing the Detroit riots, and a 1967 incident in which Who drummer Keith Moon drives a car into a Flint hotel swimming pool. Ronan takes on a lot of themes, symbols, and history, which makes the overall time-hopping narrative feel clunky at times. But she has ambition to spare and an engaging melancholic style, especially when she’s in August’s head. (“He thought moving to Detroit established a sixty-mile-long no-man’s-land between him and his mistakes.”)

A smart Rust Belt love story informed by its location's complex history.