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SMOKE AND KEY

An excellent supernatural tale with a unique premise and indelible characters.

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Sutton’s (Gardenia, 2017, etc.) paranormal YA thriller sees a young woman trapped in an afterlife realm, trying to solve the mystery of her own death.

As the story opens, a young woman wakes in a dark, confined space. “Let me out!” she screams before falling into a dirty cavern. After orienting herself, she meets a handsome young man holding an unlit cigar who introduces himself as “no one,” adding that “We’re all no one.” She learns that he goes by the name Smoke; she soon meets another girl named Doll, after her one possession. The young woman has a key around her neck, so this becomes her name. It turns out that a small village of people live in “Under,” in homes fashioned from dirt. Nobody recalls their lives before they arrived there, but everyone maintains the markings (or coloration) that they had when they died; chillingly, Smoke has a slash across his throat. When a frightening man named Splinter accosts Key, Smoke saves her, and she goes on to befriend a girl named Ribbon as well as a man named Journal, from whom she borrows books. Yet how did books—and other objects, such as beds—come to be in Under? An even graver puzzle confronts Key when Splinter is found burned to a crisp. In this moody YA fantasy, Sutton offers a propulsive, multilayered mystery: How did her characters reach Under, and what’s the tangled nature of their relationships? There’s also a quiet sensuality to Key’s narration, as when she notices that, “Every line of [Smoke’s] body is elegant, and my fear is overpowered by admiration.” The plot slowly tiptoes forward as Key receives notes from an unknown scribe; one says, “Swim across the river,” which turns out to refer to a “river” of twisted tree roots. Sutton takes this dreamlike atmosphere a step further when Key begins to remember her former existence. More burned bodies appear, details of characters’ lives creep in, and pressure mounts for Key to stop the carnage. The superior pacing during the final third makes the ending hit like a slow-motion cannon blast.

An excellent supernatural tale with a unique premise and indelible characters.

Pub Date: April 2, 2019

ISBN: 978-1-64063-600-2

Page Count: 304

Publisher: Entangled Teen

Review Posted Online: March 26, 2019

Kirkus Reviews Issue: May 1, 2019

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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GOING SOLO

A delightfully captivating swatch of autobiography from the author of Kiss. Kiss, Switch Bitch and many others. Schoolboy Dahl wanted adventure. Classes bored him, there was work to be had in Africa, and war clouds loomed on the world's horizons. He finds himself with a trainee's job with Shell Oil of East Africa and winds up in what is now Tanzania. Then war comes in 1939 and Dahl's adventures truly begin. At the war's outbreak, Dahl volunteers for the RAF, signing on to be a fighter pilot. Wounded in the Libyan desert, he spends six months recuperating in a military hospital, then rejoins his unit in Greece, only to be driven back by the advancing Germans. On April 20, 1941, he goes head on against the Luftwaffe in the Battle of Athens. On-target bio installment with, one hopes, lots more of this engrossing life to come.

Pub Date: Oct. 1, 1986

ISBN: 0142413836

Page Count: 209

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 16, 2011

Kirkus Reviews Issue: Sept. 15, 1986

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