TRACKING THE TYRANT MUSE

A set of poems about violence and war through the ages.

Anderson’s collection spans multiple eras, blending imagery from the Bible, the works of Dante Alighieri, and recent headlines. These poems are forthrightly about military conflict and the seemingly endless cycles of violence people inflict upon one another. After a prelude invoking the biblical figure of Cain, the writer links conflict and bloodshed to the history of the United States—from the assassination of the Rev. Martin Luther King Jr. to more recent examples in which a “Primitive rage eating through a soul who worships idols / Forged by guns, rifles, handguns, assault weapons / Into a fear, smothering the intent found in the Bill of Rights” (“Charleston 2015: Sunday Morning, Winchester Cathedral”). Each entry unfolds like a movement of a gruesome symphony; indeed, at one point, the poet describes war as being akin to a musical performance: In “The Zagreb Ballet,” the bombing of the titular city is “an orchestra of mortars, a chorus of cannons, / and a conductor of bombardment.” There are several recurring images, creating connections and braiding the horrors of one people with others’; for example, the forced march of Palestinians to refugee camps are a “Trail of Tears so familiar / To their Cherokee brothers and sisters” (“Nakba: 2018”). Charon, the mythological ferryman of hell, “waits with heavy oar and rudder to ferry broken / Families from their homes across the Tennessee River” (“Charon at Brown’s Ferry”). Anderson passionately uses the sonnet and other poetic forms to create “a place where tyranny cannot reign / Because power can never murder Truth” (“Oath of the Horatti”). Often, these horrors are viewed through a wide lens, but the impact of Anderson’s poetry is most potent when it links the ravages of the battlefield with something banal, as when an American soldier operating a drone in Afghanistan observes that “We kill from America / With Hellfire missiles while my son safe in his room / With his X-box works the games I work at Langley” (“Predator Warrior Pose”).

An engaging collection full of outrage about senseless violence.