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THREE BLIND MICE

HOW THE NETWORKS LOST THEIR WAY

As in his Greed and Glory on Wall Street (1986), here Auletta offers a behind-the-scenes account of a clash of corporate cultures, manifested in formidable egos fighting over turf. The battlegrounds are ABC, NBC, and CBS, which, beginning in the mid- 1980's, went through five years of wrenching change occasioned by technology and takeovers. Since 1976, the three major networks have lost one out of three viewers because of cable, video, satellite, increasingly independent affiliates, and the upstart Fox network. Starting in 1986, the Big Three's proud but complacent old guard of newscasters and entertainment programmers were administered shock treatment by their tightfisted new bosses: Lowes' Larry Tisch at CBS, GE's Jack Welch and Bob Wright at NBC, and Capital Cities' Tom Murphy and Dan Burke at ABC. Despite differences in strategy and managerial style, Auletta demonstrates, the networks thereafter became engaged in ``the same struggles between public versus shareholder responsibility, the same almost religious conflict between old and new values.'' Yet, except for several vividly drawn episodes (e.g., a skirmish between Brandon Stoddard and Roone Arledge, heads of entertainment and news, respectively, at ABC, over the scheduling of 20-20), Auletta seems to have drained this material of pungency, perhaps because of his unusual access (1,500 interviews with over 350 people) and his admirable objectivity. Moreover, the narrative seems hastily cobbled together, both in terms of overall organization and line editing (Efrem Zimbalist, Jr., was not ``Dynasty's male lead''). A conscientious but weak attempt to show how, amid the ``new video democracy'' enjoyed by viewers, the three networks squirmed on their thrones.

Pub Date: Aug. 1, 1991

ISBN: 0-394-56358-1

Page Count: 656

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1991

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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