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ALWAYS MAGIC IN THE AIR

THE BOMP AND BRILLIANCE OF THE BRILL BUILDING ERA

Under the boardwalk or up on the roof, this is a marvelous read.

The songsmiths of Broadway’s great hit factories get their due.

Stephen Foster’s biographer (Doo-Dah!, 1997) takes a welcome look at Foster’s 20th-century successors: the songwriters who toiled in humble cubicles at the Brill Building (1619 Broadway) and nearby 1650 Broadway, the hubs of New York’s music-publishing business during the heyday of ’50s and ’60s R&B, rock ’n’ roll and pop. He focuses on seven intertwined writing teams who often collaborated and competed with one another for cuts: Jerry Leiber and Mike Stoller, Carole King and Gerry Goffin, Barry Mann and Cynthia Weil, Doc Pomus and Mort Shuman, Jeff Barry and Ellie Greenwich, Neil Sedaka and Howard Greenfield and Burt Bacharach and Hal David. Emerson deftly shows how these prolific composers became ubiquitous figures in the music business of the day, and reveals the untold stories behind the composition of indelible tunes like “Be My Baby,” “Save the Last Dance For Me,” “Cryin’ in the Rain,” “You’ve Lost That Lovin’ Feelin’ ” and “Walk On By.” He doesn’t shrink from telling the writers’ personal stories, like the impact Pomus’s crippling polio had on his work or how marital tumult sundered the Goffin/King and Barry/Greenwich partnerships. He also spins interesting tales of such crucial players as publisher Don Kirshner and now-notorious producer-writer Phil Spector. These talents, Emerson notes, detonated rock’s first explosion through their versatility, their taste in sounds, ranging from classical music to R&B and Latin music, and sheer hard work. He charts their fortunes, cresting in the early ‘60s, and their swift fall, as the rise of performer-songwriters like Bob Dylan and the Beatles and the migration of the business to the West Coast spelled an end to New York’s reign as music’s capital. The story of these writers is long-overdue in the telling, and Emerson tells it splendidly.

Under the boardwalk or up on the roof, this is a marvelous read.

Pub Date: Oct. 10, 2005

ISBN: 0-670-03456-8

Page Count: 320

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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