It’s all a bit overwrought for what is, after all, a boy-loves-girl, boy-swashbuckles-to-win-girl yarn, but it’s competently...
A flying buttress of a book, continuing the hefty Kingsbridge saga historical novelist Follett began with Pillars of the Earth (1989) and World Without End (2007).
It’s not that Follett’s been slacking between books: he’s been working away at the Century Trilogy, set centuries later, and otherwise building on the legacy of high-minded potboilers he began with Eye of the Needle (1978). Here he delivers with a vengeance, with his Kingsbridge story, set in the shadow of a great provincial cathedral, now brought into the age of Elizabeth. Ned Willard, returning from the Continent on a boatload of “cloth from Antwerp and wine from Bordeaux,” beats a hasty path through the snow and gloom to the lissome lass he’s sweet on, Margery Fitzgerald. Her mom and dad are well-connected and powerful—but, alas, Catholic, not the best choice of beliefs in an age when Tudor Protestantism is taking a vengeful turn and heads are rolling. Rollo, Margery’s brother, turns out to offer good cause for suspicion; having twitted and tormented Ned over the course of the story, he’s sailing with the Spanish by the end. But will Ned keep his head and Margery hers? Or, as Margery wonders lamentingly, “Had Ned caught Rollo, or not? Would the ceremony go ahead? Would Ned be there? Would they all die?” Ah, it is but to wonder. Follett guides his long, overstuffed story leisurely through the halls of Elizabethan history; here Bess herself turns up, while there he parades the likes of Walsingham, Francis Drake, and the whole of the Spanish Armada, even as Margery yearns, the tall masts burn, and Follett’s characters churn out suspect ethnography: “Netherlanders did not seem to care much about titles, and they liked money.”
It’s all a bit overwrought for what is, after all, a boy-loves-girl, boy-swashbuckles-to-win-girl yarn, but it’s competently done. Follett's fans will know what to expect—and they won’t be disappointed.Pub Date: Sept. 12, 2017
ISBN: 978-0-525-95497-2
Page Count: 928
Publisher: Viking
Review Posted Online: June 19, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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