With an announced million-copy initial printing and a national author tour, this is sure to be one of the season’s...
A massive, cat-squashing, multigenerational and multifamilial saga, the first volume of what Follett (World Without End, 2007, etc.) promises as a trilogy devoted to the awful 20th century.
The giants in question, metaphorically, are the great and noble families of old Europe, a generally useless lot with a few notable exceptions. One such worthy, Lord Fitzherbert (try not to think of Bridget Jones here), is a sun around which lesser planets circle, a decent fellow who had been an admiral, British ambassador to the tsar’s court at St. Petersburg, and a government minister. His son, Earl Fitzherbert, is less notable, if fabulously wealthy: He “had done nothing to earn his huge income,” and the presence of the awful Liberals in Parliament, Winston Churchill among them, keeps him from coming into his own as the great foreign secretary he wishes he could be. Into the Fitzherbertian orbit fall the Williamses, Welsh colliers of sweet voice and radical disposition; if Follett’s sprawling story has a center, it is in Billy, who is but 13 as the saga opens and has a great deal of growing up to do. In the outlying reaches of the galaxy is Grigori Peshkov, plotter of the Bolshevik victory and slayer of tsarist officers in a scene straight out of Doctor Zhivago, a confidant of Trotsky’s, who figures in the later pages (“Trotsky took the bad news calmly. Lenin would have thrown a fit”). He’s just one of history’s greats to bow into Follett’s pages: Churchill figures into the story, as does Woodrow Wilson. But so, too, does a full six-page dramatis personae, so that there’s never a dull or unpeopled moment. Throughout it all, Follett keeps a dependable narrative chugging along; if the writing is never exalted, it is never less than workmanlike, though one wonders about anachronisms here and there. (Did Woodrow Wilson, college president and master diplomat, really say “Heck”?)
With an announced million-copy initial printing and a national author tour, this is sure to be one of the season’s inevitable and unavoidable blockbusters—and not undeservedly.Pub Date: Sept. 28, 2010
ISBN: 978-0-525-95165-0
Page Count: 1008
Publisher: Dutton
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2010
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...
Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.
Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility (2011).Pub Date: Sept. 6, 2016
ISBN: 978-0-670-02619-7
Page Count: 480
Publisher: Viking
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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