Next book

THIS LAND IS OUR LAND

HOW WE LOST THE RIGHT TO ROAM AND HOW TO TAKE IT BACK

Earnest, thoughtful, and alarming in places—an optimistic work that urges America toward a profound cultural shift.

Woody Guthrie was singing a truth that we’ve allowed to sicken and nearly die; it’s time to nurse it back to health.

An assiduous roamer and backcountry ranger, Ilgunas (Trespassing Across America: One Man's Epic, Never-Done-Before (and Sort of Illegal) Hike Across the Heartland, 2016, etc.) returns with a heavily researched, passionate argument about the need for America to emulate many other countries and allow its citizens to roam across the land, public as well as private. He asserts that roaming was long a part of the American way of life, but we have lost the way. He offers some disturbing statistical evidence—e.g., how few people own most of the private land and how our national parks and monuments are overflowing with visitors. He also notes how our sedentary lifestyle is affecting our health—and our national budget—and he continually reminds us how much better it is elsewhere for roamers; Scotland and Sweden are among his most frequent examples. Ilgunas populates the text with iconic literary and cultural figures who believed in roaming, from Plato to Rousseau to Thoreau. The author also knows the counterarguments to “free roaming”—e.g., lawsuits against landowners, litter, armed roamers—and he devotes a significant section of the narrative to answering, if not refuting, them all. In a final chapter devoted to how we might accomplish his dream, the author cites the works and words of legal authorities, and he appeals to our better selves—an approach that, unfortunately, does not often bear fruit. “Let’s not be so fixated on something as small as individual liberty,” he writes, “…when we should be thinking about something far grander and far nobler: the health of the community, the health of the planet, the prosperity of the human race and all our fellow species.”

Earnest, thoughtful, and alarming in places—an optimistic work that urges America toward a profound cultural shift.

Pub Date: April 10, 2018

ISBN: 978-0-7352-1784-3

Page Count: 304

Publisher: Plume

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Next book

A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

Next book

I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

Close Quickview