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2 A.M. IN LITTLE AMERICA

A strange, highly compelling tale about what happens when American privilege and insulation get turned inside out.

From the undersung Kalfus, another tonally intricate triumph, this one about the bewilderment, alienation, and sheer strangeness of being a refugee.

Ron Patterson is an American who fled his native land as civil war and chaos descended. At the book's beginning he's a 20-something migrant in an unnamed country, eking out a subsistence as a repairman, having overstayed his visa, when he meets Marlise, another refugee. For a brief stretch before the unnamed country's politics turn fractious and they're banished and separated, she becomes a friend, companion, and temporary refuge, and he looks for her—or for her afterimage—everywhere he goes from then on. About 10 years later, having bounced from place to place while his homeland's civil conflict simmers on—and while xenophobic and tribal politics take root across the globe—Ron finds himself in one of the last nations that still welcomes castoffs from the once-great, once-smug power. He lives in a filthy banlieue he calls Little America, again in squalor, again with a steady job as a repairman of security-related electronics. The book is, as it keeps (nimbly) reminding us, a camera obscura: partly because indirect and tricky, bent, not-quite-trustable views are the nature of things; partly because of Ron's marginal and scorned status; partly because he's a loner; and partly due to an affliction that makes him see resemblances between people that may not be real (and on the flip side, differences that may not signify much), Ron can make out reality only indirectly, by way of mirrors and shades, and the image he ends up with is inverted, distorted, deeply mysterious. Then, when America's bitter political split starts to replicate itself even in the ghetto—and when he encounters a strangely familiar female schoolmate and is pressed into service as an informant by a detective—the picture gets murkier, scarier, and more peculiar yet. Kalfus has always worked by ingenious indirection; his A Disorder Peculiar to the Country (2006) is a 9/11 novel as seen through the comic lens of an imploding marriage. Here he does so again, and with similar success, creating a commentary on current American politics that never sets foot in America, takes place in a distant future, and takes pains (as its protagonist does) to avoid the overtly partisan.

A strange, highly compelling tale about what happens when American privilege and insulation get turned inside out.

Pub Date: May 10, 2022

ISBN: 978-1-57131-144-3

Page Count: 256

Publisher: Milkweed

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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SANDWICH

A moving, hilarious reminder that parenthood, just like life, means constant change.

During an annual beach vacation, a mother confronts her past and learns to move forward.

Her family’s annual trip to Cape Cod is always the highlight of Rocky’s year—even more so now that her children are grown and she cherishes what little time she gets with them. Rocky is deep in the throes of menopause, picking fights with her loving husband and occasionally throwing off her clothes during a hot flash, much to the chagrin of her family. She’s also dealing with her parents, who are crammed into the same small summer house (with one toilet that only occasionally spews sewage everywhere) and who are aging at an alarmingly rapid rate. Rocky’s life is full of change, from her body to her identity—she frequently flashes back to the vacations of years past, when her children were tiny. Although she’s grateful for the family she has, she mourns what she’s lost. Newman (author of the equally wonderful We All Want Impossible Things, 2022) imbues Rocky’s internal struggles with importance and gravity, all while showcasing her very funny observations about life and parenting. She examines motherhood with a raw honesty that few others manage—she remembers the hard parts, the depths of despair, panic, and anxiety that can happen with young children, and she also recounts the joy in a way that never feels saccharine. She has a gift for exploring the real, messy contradictions in human emotions. As Rocky puts it, “This may be the only reason we were put on this earth. To say to each other, I know how you feel.”

A moving, hilarious reminder that parenthood, just like life, means constant change.

Pub Date: June 18, 2024

ISBN: 9780063345164

Page Count: 240

Publisher: Harper/HarperCollins

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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