Certain to instill a passion for the ocean and its many wonders.
A gentle story of family environmental stewardship.
Aaron and his sister, Angel, live by the ocean, where they and their parents serve as ocean guardians, volunteers who take care of the beach. Angel, a strong swimmer for whom the ocean is a second home, has nicknamed herself “Coral Girl,” but Aaron fears going underwater. Mom and Dad reassure him that one day he’ll be ready. Later, a big storm litters the beach with trash, which the ocean guardians clean up. The children fantasize about finding a way “to clean up the ocean for good”: with a huge vacuum cleaner, perhaps, or a robot fish. When Aaron finds an octopus stranded on the shore, Dad encourages it to wrap itself around a branch and puts it back into the water. Mesmerized, Aaron watches the octopus as it stares back at him. Aaron dons his goggles and goes underwater to watch his friend swim away. His fear banished, Aaron embarks on a new relationship with the ocean as he observes wildlife—and always keeps an eye out for his friend the octopus. Wilson-Max’s deeply saturated, thickly outlined acrylic paintings depict vibrant scenes of ocean life and effectively capture the love between Aaron’s family members, their passion for this coastal habitat, and their frustration upon witnessing ocean pollution. Aaron and his family are brown-skinned.
Certain to instill a passion for the ocean and its many wonders. (information about octopuses, the impact of trash on marine life, and the role of ocean guardians) (Picture book. 4-7)Pub Date: May 21, 2024
ISBN: 9781536236644
Page Count: 32
Publisher: Candlewick
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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