by Kenji Yoshino ‧ RELEASE DATE: April 12, 2011
A fresh promontory from which to view the marvelous and mysterious Shakespearean sea.
Yoshino (Constitutional Law/NYU School of Law; Covering: The Hidden Assault on Our Civil Rights, 2006) argues that the Bard advanced complex notions about justice, which remain enduringly relevant and deserve to be revisited.
The narrative structure is roughly chronological (the author begins with the early Titus Andronicus and ends with The Tempest) and covers most of the major plays of the canon—The Merchant of Venice, Measure for Measure, Othello, the “Henriad” (Richard II, the two parts of Henry IV, Henry V), Macbeth, Hamlet and King Lear. Each chapter features an exegesis of the play and, usually, a look at a contemporary issue in the light of Shakespeare’s views. Throughout, Yoshino’s liberal political positions are prominent. He sees in that most sanguinary revenge play Titus, for example, a distant mirror of our mistakes in Iraq. In Portia’s hair-splitting at the end of Merchant, he sees analogies to the Clinton-Lewinsky scandal. In Othello, he finds Shakespearean help in understanding the O.J. Simpson murder trial. George W. Bush may initially have seemed like young Prince Hal, but unlike Henry V, Bush failed to win his Agincourt. Most interesting are the author’s views on Hamlet. He praises the prince’s temporizing, viewing it as an intellectual’s attempt to be certain before acting, but he condemns him for a fierce focus that ignores the deleterious consequences on others. The author also pauses occasionally to remark upon some enduring issues in Shakespeare’s biography. How did he know so much about the law? (Well, he knew a lot about everything.) Is there a Macbeth curse? (Of course not.) Yoshino also takes a contrary view of Portia (“her rhetorical skill,” he says, “should inspire misgiving”) and thinks Cordelia might have been just plain inarticulate.
A fresh promontory from which to view the marvelous and mysterious Shakespearean sea.Pub Date: April 12, 2011
ISBN: 978-0-06-176910-8
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: Jan. 11, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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