An enjoyably disturbing supernatural tale.
In Andersen’s YA fantasy series opener, translated from the Danish by Semmel, a teenager enters hell and unwillingly trains to become its ruler.
As the story opens, 13-year-old Philip Engel is hiding in his school’s basement because Sam, an older, inventively cruel bully, has dubbed him his “Condemned of the Week.” Thankfully, the school’s janitor intervenes before Sam can harm him. Later, on his way home, Philip rescues a black cat stuck in a tree: “Thanks for helping me out,” the cat says, to Philip’s amazement. Then Sam catches up with his victim and pushes him into a crosswalk—and in front of a car. Soon, Philip wakes up in hell, where he reunites with the talking cat, whose name is Lucifax, and heads for a castle made of bones—the lair of the devil himself. The teen learns that the devil is dying and needs to train a replacement; however, it turns out that Lucifer intended to summon Sam, not Philip. A one-time deal with Death allowed the devil to take just one boy before his time, so he must make do with Philip, who’s literally a Boy Scout. How will Philip fare when his villainy is tested? And is a young “she-devil” named Satina offering him true friendship? Philip only knows one thing for sure: that he wants to escape his apprenticeship before the devil expires. Andersen’s morally gray series opener rests on the argument that evil is, in fact, necessary. As the devil says, “We can’t see without light, but we can’t see without darkness, either. We need both to be able to navigate.” Hell is populated with colorful demons, such as Flux and Aziel, who live in hell’s grisly suburbs; on Maim Street, Philip hears “muffled screams...from the buried mouths when he trudged upon their bleeding skulls.” It’s graphic imagery, indeed, but the author manages to inject occasional silliness, such as Lucifax’s wry commentary: “Down here, humor is always dark.” Eventually, the young man must deal with teenage jealousy, along with other, more devilish traits. Andersen’s exceptional plotting ensures that its sequel will be irresistible.
An enjoyably disturbing supernatural tale.Pub Date: Oct. 15, 2018
ISBN: N/A
Page Count: 320
Publisher: Høst & Søn
Review Posted Online: Nov. 19, 2019
Review Program: Kirkus Indie
PROFILES
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Immersive and engaging, despite some flaws, and destined to capture imaginations.
Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.
Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.
Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-09525-1
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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