by Kenneth C. Davis ‧ RELEASE DATE: May 11, 2010
Mostly engaging but rarely edifying.
Don’t Know Much About® series creator Davis (America’s Hidden History, 2008, etc.) examines six little-known episodes that influenced American history.
By now the author’s formula is familiar—seize a small or misunderstood incident from America’s past, identify it as a precursor to or emblematic of a better-known event and use it to illustrate larger themes that have altered the nation’s course. Focusing on the period between Jefferson’s 1800 election and California’s 1850 statehood, Davis looks at Aaron Burr’s 1807 arrest for treason, the 1818 Creek attack on Fort Mims, the 1841 revolt aboard the slave ship Creole, the Seminole massacre of Major Francis Dade’s relief column in 1835, the Nativist inspired Bible Riots in 1844 Philadelphia and the harrowing journey of Jesse Fremont across Panama’s isthmus in 1849. In breezily entertaining fashion, the author does just fine when he confines himself to the details of each episode. Beyond that, these historical vignettes aren’t exactly revelatory. Even casual students understand the gap between America’s ideals and practice. For whom, any longer, is it news that America’s presidents have frequently abused their power, that the nation has sometimes made war for ignoble purposes, that our history is marred by various eruptions of religious strife, that slavery, our intolerance of immigrants, and our shameful treatment of Native Americans continue to haunt our present? The narrative suffers, as well, when Davis attempts comparisons to contemporary events. Readers may be persuaded that Jefferson’s pursuit of Burr is analogous to Nixon’s efforts to destroy political enemies or to the Bush administration’s so-called outing of Valerie Plame, but bald assertion makes neither proposition true. This is history-lite, misleading to those who know too little, harmless to those who know enough.
Mostly engaging but rarely edifying.Pub Date: May 11, 2010
ISBN: 978-0-06-111820-3
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 24, 2010
Kirkus Reviews Issue: March 1, 2010
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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