A topical, tropical mystery replete with scenes of entertaining buddy comedy.
Two police detectives return in a drag-inspired whodunit set in Florida.
Charmingly mismatched sleuths Nick Scott and Norm Malone embark on a new adventure in this sequel, this time in sultry Key West, home to “chickens everywhere you walk, people greeting strangers as if they were good friends, and no one seeming to have a care in the world.” Nick, host of the eponymous TV chat show The Gay Detective, met the slouchy, heterosexual Norm in the previous installment of the series, in which they teamed up to catch the notorious killer The Reaper while becoming good friends and roommates. Now, as a thank-you gift from the Chicago Police Department, they’re vacationing together in Key West. Of particular interest to Nick is an annual New Year’s Eve performance by the local drag diva Sho Yu, set to descend upon her adoring fans in a giant red shoe to formally announce her engagement to strapping fiance Matt. To the shock of onlookers, the shoe catches fire on the way down, injuring Matt, and within moments Sho Yu turns up missing. Officer Raphael Perez recruits Nick and Norm to lend their talents to the investigation, one that becomes even darker when Police Commissioner Tom Moss is found dead in his office. The two detectives begin to piece together what increasingly looks like a series of connected killings by a sinister and enigmatic network. Stripper Merlot and a bevy of sassy drag queens (Mimi Peters, Sin Onhym, and Polly Saturates) turn up to crack some jokes and complicate the plot. Along the way, Nick and Norm each finds romance, discovering once again that “sex is the best drug out there and doesn’t require a script” and encountering a number of unforeseen hurdles. In this enjoyable caper, Michaels (The Gay Detective, 2015) displays a superb sense of humor, and he deploys it more successfully here than in his last book, using it to balance Nick’s complex emotions and the story’s suspense. Nick’s fraught hookups are effectively woven into the texture of the plot (“Raphael certainly knew how to push my buttons and that scared me. We hardly knew each other”). But his reaction to Norm’s own liaison—particularly the intensity of his anger—may strike some readers as more convenient to the narrative than psychologically realistic. But this is a quibble: Michaels’ beguiling new tale is an amusing and gripping way to spend a few hours.
A topical, tropical mystery replete with scenes of entertaining buddy comedy.Pub Date: May 8, 2017
ISBN: 978-0-9983242-0-3
Page Count: 242
Publisher: La Mancha Press
Review Posted Online: June 26, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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