A topical, tropical mystery replete with scenes of entertaining buddy comedy.
Two police detectives return in a drag-inspired whodunit set in Florida.
Charmingly mismatched sleuths Nick Scott and Norm Malone embark on a new adventure in this sequel, this time in sultry Key West, home to “chickens everywhere you walk, people greeting strangers as if they were good friends, and no one seeming to have a care in the world.” Nick, host of the eponymous TV chat show The Gay Detective, met the slouchy, heterosexual Norm in the previous installment of the series, in which they teamed up to catch the notorious killer The Reaper while becoming good friends and roommates. Now, as a thank-you gift from the Chicago Police Department, they’re vacationing together in Key West. Of particular interest to Nick is an annual New Year’s Eve performance by the local drag diva Sho Yu, set to descend upon her adoring fans in a giant red shoe to formally announce her engagement to strapping fiance Matt. To the shock of onlookers, the shoe catches fire on the way down, injuring Matt, and within moments Sho Yu turns up missing. Officer Raphael Perez recruits Nick and Norm to lend their talents to the investigation, one that becomes even darker when Police Commissioner Tom Moss is found dead in his office. The two detectives begin to piece together what increasingly looks like a series of connected killings by a sinister and enigmatic network. Stripper Merlot and a bevy of sassy drag queens (Mimi Peters, Sin Onhym, and Polly Saturates) turn up to crack some jokes and complicate the plot. Along the way, Nick and Norm each finds romance, discovering once again that “sex is the best drug out there and doesn’t require a script” and encountering a number of unforeseen hurdles. In this enjoyable caper, Michaels (The Gay Detective, 2015) displays a superb sense of humor, and he deploys it more successfully here than in his last book, using it to balance Nick’s complex emotions and the story’s suspense. Nick’s fraught hookups are effectively woven into the texture of the plot (“Raphael certainly knew how to push my buttons and that scared me. We hardly knew each other”). But his reaction to Norm’s own liaison—particularly the intensity of his anger—may strike some readers as more convenient to the narrative than psychologically realistic. But this is a quibble: Michaels’ beguiling new tale is an amusing and gripping way to spend a few hours.
A topical, tropical mystery replete with scenes of entertaining buddy comedy.Pub Date: May 8, 2017
ISBN: 978-0-9983242-0-3
Page Count: 242
Publisher: La Mancha Press
Review Posted Online: June 26, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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